Pub Date : 2023-06-22DOI: 10.22146/sasdaya.v7(1).77-91
Ramadhani Dwi Meya, Rabani La Ode
This study discusses the continuity of the Kebon Agung Sugar Factory from the crisis period in 1930 until it was nationalized in 1960. The economic crisis that hit Europe and the world had an impact on the collapse of most of the sugar industries in the Dutch East Indies. Kebun Agung Sugar Factory managed to survive in the midst of a global crisis that began towards the end of 1929. Throughout that period, various crises hit the world and Indonesia such as economic, social, and political crises. This research uses historical methods with the following stages; topic selection, heuristics, interpretation, data analysis, and historiography. The results showed that the Kebon Agung sugar factory was part of the history of the sugar industry in the colonial period which contributed to the increase in sugar production in the Dutch East Indies. This sugar factory was able to survive the crisis that accompanied its history because of its efficiency strategy, production reduction, and cooperation with other sugar factories in terms of utilizing pre-existing infrastructure such as no longer building railways and roads for the transportation of raw materials (sugarcane) to the factory. In the midst of the crisis and the threat of bankruptcy, the Kebon Agung Sugar Factory still survived and continued to carry out production activities until the sugar factory was nationalized in 1958. Thus, the Kebun Agung Sugar Factory also recorded its history by contributing to efforts improve the state economy.
{"title":"BERTAHAN DI TENGAH KRISIS: KESINAMBUNGAN PABRIK GULA KEBON AGUNG DI MALANG 1930an-1958","authors":"Ramadhani Dwi Meya, Rabani La Ode","doi":"10.22146/sasdaya.v7(1).77-91","DOIUrl":"https://doi.org/10.22146/sasdaya.v7(1).77-91","url":null,"abstract":"This study discusses the continuity of the Kebon Agung Sugar Factory from the crisis period in 1930 until it was nationalized in 1960. The economic crisis that hit Europe and the world had an impact on the collapse of most of the sugar industries in the Dutch East Indies. Kebun Agung Sugar Factory managed to survive in the midst of a global crisis that began towards the end of 1929. Throughout that period, various crises hit the world and Indonesia such as economic, social, and political crises. This research uses historical methods with the following stages; topic selection, heuristics, interpretation, data analysis, and historiography. The results showed that the Kebon Agung sugar factory was part of the history of the sugar industry in the colonial period which contributed to the increase in sugar production in the Dutch East Indies. This sugar factory was able to survive the crisis that accompanied its history because of its efficiency strategy, production reduction, and cooperation with other sugar factories in terms of utilizing pre-existing infrastructure such as no longer building railways and roads for the transportation of raw materials (sugarcane) to the factory. In the midst of the crisis and the threat of bankruptcy, the Kebon Agung Sugar Factory still survived and continued to carry out production activities until the sugar factory was nationalized in 1958. Thus, the Kebun Agung Sugar Factory also recorded its history by contributing to efforts improve the state economy. \u0000 ","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75404329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-19DOI: 10.22146/sasdaya.v7(1).39-57
Runavia Mulyasari
The process of recovering when experiencing disasters and crises is often considered an individualised process. The Covid-19 pandemic in the past two years has had a major impact on various sectors of the world, and the most affected is tourism. Many studies on pandemic conditions and tourism have been conducted with a focus on the impact of the pandemic. For this reason, it is necessary to look back at the resilience process carried out by tourism actors and the tourism community in dealing with the pandemic. Yogyakarta, especially Kaliurang, is the most affected area due to the pandemic. This study attempts to invite a revisit of tourism resilience in Kaliurang. Ethnography is used to capture the resilience efforts made by the community and tourism actors in Kaliurang. The research shows a change in community structure and agency development at the individual and group levels. Both structure and agency simultaneously help the process of community resilience, which is then developed into resilience in the tourism sector.
{"title":"Menilik Ulang Resiliensi: Covid-19 dan Pariwisata di Kaliurang Yogyakarta","authors":"Runavia Mulyasari","doi":"10.22146/sasdaya.v7(1).39-57","DOIUrl":"https://doi.org/10.22146/sasdaya.v7(1).39-57","url":null,"abstract":"The process of recovering when experiencing disasters and crises is often considered an individualised process. The Covid-19 pandemic in the past two years has had a major impact on various sectors of the world, and the most affected is tourism. Many studies on pandemic conditions and tourism have been conducted with a focus on the impact of the pandemic. For this reason, it is necessary to look back at the resilience process carried out by tourism actors and the tourism community in dealing with the pandemic. Yogyakarta, especially Kaliurang, is the most affected area due to the pandemic. This study attempts to invite a revisit of tourism resilience in Kaliurang. Ethnography is used to capture the resilience efforts made by the community and tourism actors in Kaliurang. The research shows a change in community structure and agency development at the individual and group levels. Both structure and agency simultaneously help the process of community resilience, which is then developed into resilience in the tourism sector.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81861788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-19DOI: 10.22146/sasdaya.v7(1).1-14
Yosef Calasanza, Gunawan Pendidikan, Sosiologi dan, U. Antropologi, Semarang
Debus is one of the popular arts in Banten society. During the Banten kingdom, in the past Debus art became well-known. Initially, Debus became a medium for spreading Islam in Banten. During the colonial period, debus used against colonial troop. Debus perpetrators who are aware of their immunity to sharp weapons and bullets form a force to confront the colonial army. After independence, Debus developed into an art that is often staged in various events at the regional and national levels. However, recently its popularity has waned. Debus art is not much staged and known in the community. This circumstance has prompted Banten hermitages to promote and preserve Debus arts. This article aims to describe the activities of the hermitage in maintaining the existence of debus as well as activities to preserve the Banten debus art by Padepokan Maung Pande. The data collection method was carried out using qualitative research methods by focusing on data collection on member of the Maung Pande hermitage. The results of the study show that the conservation efforts carried out by the Maung Pande hermitage are carried out by collaborating with schools in Banten province.
{"title":"Pelestarian Kesenian Debus Banten di Padepokan Maung Pande","authors":"Yosef Calasanza, Gunawan Pendidikan, Sosiologi dan, U. Antropologi, Semarang","doi":"10.22146/sasdaya.v7(1).1-14","DOIUrl":"https://doi.org/10.22146/sasdaya.v7(1).1-14","url":null,"abstract":"Debus is one of the popular arts in Banten society. During the Banten kingdom, in the past Debus art became well-known. Initially, Debus became a medium for spreading Islam in Banten. During the colonial period, debus used against colonial troop. Debus perpetrators who are aware of their immunity to sharp weapons and bullets form a force to confront the colonial army. After independence, Debus developed into an art that is often staged in various events at the regional and national levels. However, recently its popularity has waned. Debus art is not much staged and known in the community. This circumstance has prompted Banten hermitages to promote and preserve Debus arts. This article aims to describe the activities of the hermitage in maintaining the existence of debus as well as activities to preserve the Banten debus art by Padepokan Maung Pande. The data collection method was carried out using qualitative research methods by focusing on data collection on member of the Maung Pande hermitage. The results of the study show that the conservation efforts carried out by the Maung Pande hermitage are carried out by collaborating with schools in Banten province.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"62 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82962652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-19DOI: 10.22146/sasdaya.v7(1).58-76
Muhammad Arifin
Democracy that has lasted so far is not only understood as an effort to build a better government system but is also intended as an effort to create citizen participation in building a good political and governance system. But in reality, it does not produce a sense of security, peace, order and social order. This paper is intended to look at the phenomenon of democracy, especially election practices, not only from a political and power perspective, but also to see how elections actually create social disharmony in the Yogyakarta city community. This paper is based on one argument, namely: that democracy is intended to build a more open, just, peaceful and prosperous society that does not work properly because the understanding and practices of democracy that have been practiced so far have actually led to increased resistance and social disharmony. This paper uses a qualitative analytical method with data sourced from direct observation and from local newspapers. From this research it was found that (1) social conflict in villages, especially in Yogyakarta is getting higher and social resistance is increasing; (2) Community grouping, and segregation tend to be based on religious and political affiliations; and village gangs (3) Villages that used to be administratively separated, were instead claimed as the village of certain groups which referred to certain religious-based groups or parties. From this paper it can be concluded that the conflicts that occurred in the city of Yogyakarta during the 2019 presidential election were more caused by village-based sentiments and solidarity of certain parties and groups rather than conflicts between elites.
{"title":"Disharmoni Sosial Masyarakat Kampung Kota di Era Demokratisasi (Konflik dan Disharmoni Sosial di Yogyakarta Pada Pilpres tahun 2019)","authors":"Muhammad Arifin","doi":"10.22146/sasdaya.v7(1).58-76","DOIUrl":"https://doi.org/10.22146/sasdaya.v7(1).58-76","url":null,"abstract":"Democracy that has lasted so far is not only understood as an effort to build a better government system but is also intended as an effort to create citizen participation in building a good political and governance system. But in reality, it does not produce a sense of security, peace, order and social order. This paper is intended to look at the phenomenon of democracy, especially election practices, not only from a political and power perspective, but also to see how elections actually create social disharmony in the Yogyakarta city community. This paper is based on one argument, namely: that democracy is intended to build a more open, just, peaceful and prosperous society that does not work properly because the understanding and practices of democracy that have been practiced so far have actually led to increased resistance and social disharmony. This paper uses a qualitative analytical method with data sourced from direct observation and from local newspapers. From this research it was found that (1) social conflict in villages, especially in Yogyakarta is getting higher and social resistance is increasing; (2) Community grouping, and segregation tend to be based on religious and political affiliations; and village gangs (3) Villages that used to be administratively separated, were instead claimed as the village of certain groups which referred to certain religious-based groups or parties. From this paper it can be concluded that the conflicts that occurred in the city of Yogyakarta during the 2019 presidential election were more caused by village-based sentiments and solidarity of certain parties and groups rather than conflicts between elites.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"83 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76782997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-19DOI: 10.22146/sasdaya.v7(1).15-38
Suharmono
This study aims to explain dialogical hermeneutics, one of the scientific paradigms that can bridge the confusion of thinking in explaining the relationship between literature and reality/history. The material object used is Fiction and History of Dialogue, while the formal object is the dialogical hermeneutic paradigm in the book. The purpose of this study is to describe the basic assumptions; model; and the concepts that make up dialogic hermeneutics. The theoretical framework and method used as the basis for the analysis are Thomas Khun's thoughts related to paradigms. The results of the research show that Fiction and Dialogue History books criticize in discussing fiction which is dominated by mimetic and semiotic concepts as well as history which is seen as something that is often contrasted with fiction. Junus offers an alternative idea in the form of dialogue (hermeneutics) as a new way of looking at the relationship between fiction and history/reality. Junus uses an analogy model to see the relationship between fiction and history/reality. The concepts put forward include the Concept of Definition of Fiction; The Nature of Reality in Stories; Fiction and Heurmenetics; Fiction Shapes Reality; Perspective of Fiction and Reality of Writers and Readers; and Fiction and History.
{"title":"Hermeneutika Dialogis sebagai Basis Filosofis dalam Fiksyen dan Sejarah, Suatu Dialog Karya Umar Junus","authors":"Suharmono","doi":"10.22146/sasdaya.v7(1).15-38","DOIUrl":"https://doi.org/10.22146/sasdaya.v7(1).15-38","url":null,"abstract":"This study aims to explain dialogical hermeneutics, one of the scientific paradigms that can bridge the confusion of thinking in explaining the relationship between literature and reality/history. The material object used is Fiction and History of Dialogue, while the formal object is the dialogical hermeneutic paradigm in the book. The purpose of this study is to describe the basic assumptions; model; and the concepts that make up dialogic hermeneutics. The theoretical framework and method used as the basis for the analysis are Thomas Khun's thoughts related to paradigms. The results of the research show that Fiction and Dialogue History books criticize in discussing fiction which is dominated by mimetic and semiotic concepts as well as history which is seen as something that is often contrasted with fiction. Junus offers an alternative idea in the form of dialogue (hermeneutics) as a new way of looking at the relationship between fiction and history/reality. Junus uses an analogy model to see the relationship between fiction and history/reality. The concepts put forward include the Concept of Definition of Fiction; The Nature of Reality in Stories; Fiction and Heurmenetics; Fiction Shapes Reality; Perspective of Fiction and Reality of Writers and Readers; and Fiction and History.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89847611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-23DOI: 10.22146/sasdaya.v6(2).117-134
Arif Budiman¹, Ari Wulandari, Noni Sukmawati³, Islam Negeri, Sunan Kalijaga, Y. ². U. Pgri, Yogyakarta ³ Universitas, Andalas Padang
Selamatan bayi is a form of gratitude and a prayer request for congratulations for the baby. This study aims to describe the local wisdom of selamatan bayi using an anthropological linguistic approach to the contextual design of Javanese tradition. Data collection refers to the technique of recording, participatory observation, and interviews. The results of this study prove that selamatan bayi has a philosophical meaning based on Javanese cultureThere are seven kinds of selamatan bayi among the Javanese, namely (1) brokohan (birthday greetings), (2) sepasaran (5th birthday celebration), (3) selapanan (35-day baby celebration), (4) telonan (3 months birthday greetings), (5) pitonan (7 months of baby's birth), (6) setahunan (1 year of baby's birth), and (7) aqiqah (selamatan bayi for Javanese Muslims). The local wisdom of Javanese in selamatan bayi can be seen from five things, namely (1) the definition, (2) types, (3) ubarampe ‘equipment’, such as sega ingkung, sega gudangan, bubur abang putih, and so on; (4) the method of implementation, and (5) the development of the times. In every selamatan bayi contains the local wisdom of the Javanese to always maintain a balance between human relationships, the natural environment, and God.
Selamatan bayi是一种感谢和祈祷的形式，希望对宝宝的到来表示祝贺。本研究旨在用人类学语言学的方法来描述爪哇传统语境设计的selamatan八一的地方智慧。数据收集指的是记录、参与式观察和访谈的技术。本研究结果证明，在爪哇文化的基础上，selamatan八一具有哲学意义。爪哇人的selamatan八一共有七种，分别是(1)brokohan(生日问候)，(2)sepasaran(5岁生日庆祝)，(3)selapanan(35天婴儿庆祝)，(4)telonan(3个月生日问候)，(5)pitonan(婴儿出生7个月)，(6)setahunan(婴儿出生1年)，以及(7)aqiqah(爪哇穆斯林的selamatan八一)。爪哇人在selamatan八一中的地方智慧可以从五个方面看出来，即(1)定义，(2)类型，(3)所使用的“设备”，如sega ingkung, sega gudangan, bubur abang putih等;(四)实施方法，(五)时代发展。每个selamatan bayi都包含了爪哇人在人际关系、自然环境和上帝之间保持平衡的当地智慧。
{"title":"Selamatan Bayi Versi Orang Jawa: Kajian Linguistik Antropologis","authors":"Arif Budiman¹, Ari Wulandari, Noni Sukmawati³, Islam Negeri, Sunan Kalijaga, Y. ². U. Pgri, Yogyakarta ³ Universitas, Andalas Padang","doi":"10.22146/sasdaya.v6(2).117-134","DOIUrl":"https://doi.org/10.22146/sasdaya.v6(2).117-134","url":null,"abstract":"Selamatan bayi is a form of gratitude and a prayer request for congratulations for the baby. This study aims to describe the local wisdom of selamatan bayi using an anthropological linguistic approach to the contextual design of Javanese tradition. Data collection refers to the technique of recording, participatory observation, and interviews. The results of this study prove that selamatan bayi has a philosophical meaning based on Javanese cultureThere are seven kinds of selamatan bayi among the Javanese, namely (1) brokohan (birthday greetings), (2) sepasaran (5th birthday celebration), (3) selapanan (35-day baby celebration), (4) telonan (3 months birthday greetings), (5) pitonan (7 months of baby's birth), (6) setahunan (1 year of baby's birth), and (7) aqiqah (selamatan bayi for Javanese Muslims). The local wisdom of Javanese in selamatan bayi can be seen from five things, namely (1) the definition, (2) types, (3) ubarampe ‘equipment’, such as sega ingkung, sega gudangan, bubur abang putih, and so on; (4) the method of implementation, and (5) the development of the times. In every selamatan bayi contains the local wisdom of the Javanese to always maintain a balance between human relationships, the natural environment, and God.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"65 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81440542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-23DOI: 10.22146/sasdaya.v6(2).81-99
Helmi Naufal Zul’azmi
This article aimed to identify how violent languages are operated for othering and disciplining the body as an exercise of power over the LGBTIQ groups in Indonesia. The analyzed violent language was taken from a conversation on Twitter that responds to Deddy Corbuzier’s podcast video with the title “TUTORIAL JADI G4Y DI INDO!!= PINDAH KE JERMAN (tonton sblm ngamuk) RAGIL AND FRED”. The issues of violence in language have been arising when the words used by Twitter accounts @cholilnafis, @anasabuabdillah, @mas_po_sanusi, @ridwan2474, @djoesa, @defrizonz, and @samsularifin000 are seen in a particular way in the context of their response to Deddy’s podcast video. This article shows that there is a process of othering and disciplining the body through the choices of words that contain elements of violence. Violent languages are operated to alienate others, as in the concept of “blaming others”. From Lozano and Laurent’s perspective, “blaming others” is accusing minorities under social inappropriateness instead of seeing their own fault. Meanwhile, the process of disciplining the body moves through violent languages that are associated with interpretation of Islamic discourse.
这篇文章的目的是确定暴力语言是如何对他人运作的，并将身体作为对印度尼西亚LGBTIQ群体行使权力的一种训练。分析后的暴力语言摘自Twitter上的对话，该对话是对Deddy Corbuzier的播客视频的回应，该视频的标题为“TUTORIAL JADI G4Y DI INDO!!”PINDAH KE JERMAN (tonton sblm ngamuk)《RAGIL AND FRED》。当Twitter帐号@cholilnafis、@anasabuabdillah、@mas_po_sanusi、@ridwan2474、@djoesa、@defrizonz和@samsularifin000对Deddy播客视频的回应以一种特殊的方式出现时，语言暴力的问题就出现了。这篇文章表明，通过选择包含暴力元素的词语，存在一个控制和约束身体的过程。使用暴力语言是为了疏远他人，例如“指责他人”的概念。在洛萨诺和洛朗看来，“指责他人”是在社会不恰当的情况下指责少数民族，而不是看到自己的错误。与此同时，训练身体的过程通过暴力语言进行，这些语言与伊斯兰话语的解释有关。
{"title":"Praktik Peliyanan dan Pendisiplinan Tubuh Lewat Bahasa Kekerasan di Percakapan Twitter","authors":"Helmi Naufal Zul’azmi","doi":"10.22146/sasdaya.v6(2).81-99","DOIUrl":"https://doi.org/10.22146/sasdaya.v6(2).81-99","url":null,"abstract":"This article aimed to identify how violent languages are operated for othering and disciplining the body as an exercise of power over the LGBTIQ groups in Indonesia. The analyzed violent language was taken from a conversation on Twitter that responds to Deddy Corbuzier’s podcast video with the title “TUTORIAL JADI G4Y DI INDO!!= PINDAH KE JERMAN (tonton sblm ngamuk) RAGIL AND FRED”. The issues of violence in language have been arising when the words used by Twitter accounts @cholilnafis, @anasabuabdillah, @mas_po_sanusi, @ridwan2474, @djoesa, @defrizonz, and @samsularifin000 are seen in a particular way in the context of their response to Deddy’s podcast video. This article shows that there is a process of othering and disciplining the body through the choices of words that contain elements of violence. Violent languages are operated to alienate others, as in the concept of “blaming others”. From Lozano and Laurent’s perspective, “blaming others” is accusing minorities under social inappropriateness instead of seeing their own fault. Meanwhile, the process of disciplining the body moves through violent languages that are associated with interpretation of Islamic discourse.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"89 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85963928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-23DOI: 10.22146/sasdaya.v6(2).135-149
Albertine Darasita Anjani, W. Udasmoro, Aprillia Firmonasari
Motherhood ideology is commonly found in literary works, including narratives depicting the figure of a mother. In literature, especially in Europe, the figure of a mother is mystified and is often associated with the figure of the Virgin Mary. This is closely related to the oppression experienced by women due to the inequality of gender construction produced by society. The novel Chanson Douce by Leila Slimani narrates two mothers with different backgrounds. This study aims to carry out a deconstruction reading, especially on the discourse of motherhood. In interpreting something we are always dominated by dominant hierarchies and superior poles which are considered as "single truth". This single truth can lead to vulnerability to discrimination or service. The deconstruction method used in this study uses the concepts of trace and difference, in readings that lead to the meaning of texts that are "friendly" to the others. The results of this study lead us to new questions regarding the challenges of motherhood in this post-industrial era.
{"title":"Motherhood dalam Novel Chanson Douce Karya Leila Slimani: Analisis Dekonstruksi Derrida","authors":"Albertine Darasita Anjani, W. Udasmoro, Aprillia Firmonasari","doi":"10.22146/sasdaya.v6(2).135-149","DOIUrl":"https://doi.org/10.22146/sasdaya.v6(2).135-149","url":null,"abstract":"Motherhood ideology is commonly found in literary works, including narratives depicting the figure of a mother. In literature, especially in Europe, the figure of a mother is mystified and is often associated with the figure of the Virgin Mary. This is closely related to the oppression experienced by women due to the inequality of gender construction produced by society. The novel Chanson Douce by Leila Slimani narrates two mothers with different backgrounds. This study aims to carry out a deconstruction reading, especially on the discourse of motherhood. In interpreting something we are always dominated by dominant hierarchies and superior poles which are considered as \"single truth\". This single truth can lead to vulnerability to discrimination or service. The deconstruction method used in this study uses the concepts of trace and difference, in readings that lead to the meaning of texts that are \"friendly\" to the others. The results of this study lead us to new questions regarding the challenges of motherhood in this post-industrial era.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"45 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78339943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-23DOI: 10.22146/sasdaya.v6(2).150-166
Juwita Sari Rizky Millenia Dewi, Muhammad Jhony Fonsen, Annisa Dwi Aprilia, Aqila Ramiza Syahri, Shafandra Cahya L H, Yasin Adib Zuhair, Suci Sandi Wachyuni
Klatak satay is an iconic food originating from the Bantul Regency of Yogyakarta. Sate klatak was named the Intangible Cultural Heritage of Indonesia in 2019 by the Ministry of Education and Culture. As an Intangible Cultural Heritage, satay klatak needs to be preserved so that the regeneration process continues and its existence remains sustainable. Tourists coming to eat Sate Klatak have various motivations. The purpose of this study is to review the motivation, perception, post-consumption behaviour of domestic tourists Sate Klatak East Imogiri, Yogyakarta. This research uses a quantitative approach with a survey method. The data collection technique is by distributing online questionnaires via WhatsApp and Instagram. The results showed that the biggest motivation for tourists to consume satay klatak Imogiri was recommendations from friends and relatives. Furthermore, Sate Klatak East Imogiri is incredibly well-received because of its popularity, taste, and appearance. Tourists also show satisfaction in post-consumption behavior, namely, returning and recommending it to relatives. The theoretical implication of this study is that these three variables can be used as indicators of local culinary evaluation. Meanwhile, as a practical implication, the research results can be used as suggestions for local culinary development in destinations, especially Sate Klatak East Imogiri
克拉塔沙爹是一种标志性的食物，起源于日惹的班图尔摄政。2019年，印尼教育和文化部将“萨特拉塔克”列为印尼非物质文化遗产。作为一种非物质文化遗产，沙茶需要被保存下来，这样它的再生过程才能继续下去，它的存在才能保持可持续性。来吃克拉塔克山的游客有各种各样的动机。本研究的目的是回顾国内游客的动机，感知，消费后行为，东伊莫吉里，日惹。本研究采用定量方法和调查方法。数据收集技术是通过WhatsApp和Instagram分发在线问卷。结果显示，游客消费沙茶的最大动机是来自朋友和亲戚的推荐。此外，Sate Klatak East Imogiri因其受欢迎程度、口味和外观而广受欢迎。游客在消费后行为中也表现出满意，即回访并推荐给亲戚。本研究的理论含义是，这三个变量可以作为地方烹饪评价的指标。同时，从实践意义上说，研究结果可以为目的地的当地烹饪发展提供建议，特别是Sate Klatak East Imogiri
{"title":"Motivasi, Persepsi, dan Perilaku Pasca Konsumsi Wisatawan Domestik Terhadap Kuliner Sate Klatak di Imogiri Timur Yogyakarta","authors":"Juwita Sari Rizky Millenia Dewi, Muhammad Jhony Fonsen, Annisa Dwi Aprilia, Aqila Ramiza Syahri, Shafandra Cahya L H, Yasin Adib Zuhair, Suci Sandi Wachyuni","doi":"10.22146/sasdaya.v6(2).150-166","DOIUrl":"https://doi.org/10.22146/sasdaya.v6(2).150-166","url":null,"abstract":"Klatak satay is an iconic food originating from the Bantul Regency of Yogyakarta. Sate klatak was named the Intangible Cultural Heritage of Indonesia in 2019 by the Ministry of Education and Culture. As an Intangible Cultural Heritage, satay klatak needs to be preserved so that the regeneration process continues and its existence remains sustainable. Tourists coming to eat Sate Klatak have various motivations. The purpose of this study is to review the motivation, perception, post-consumption behaviour of domestic tourists Sate Klatak East Imogiri, Yogyakarta. This research uses a quantitative approach with a survey method. The data collection technique is by distributing online questionnaires via WhatsApp and Instagram. The results showed that the biggest motivation for tourists to consume satay klatak Imogiri was recommendations from friends and relatives. Furthermore, Sate Klatak East Imogiri is incredibly well-received because of its popularity, taste, and appearance. Tourists also show satisfaction in post-consumption behavior, namely, returning and recommending it to relatives. The theoretical implication of this study is that these three variables can be used as indicators of local culinary evaluation. Meanwhile, as a practical implication, the research results can be used as suggestions for local culinary development in destinations, especially Sate Klatak East Imogiri","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87139039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-23DOI: 10.22146/sasdaya.v6(2).100-116
Rahmalia Intan Sulistiyawati, Aprilia Firmonasari
The problem of sexual violence has become a sensitive issue that has attracted the attention of various groups of people. In addition, this action classifies as a criminal act that causes physical and psychological harm. Sexual violence happens not only to women's groups but also to subordinated minority groups in society, such as the LGBTQ+ group. In early 2021, to be precise, in France, a student and student activist experienced sexual aggression by a politician from one of the dominant political parties there. He tried to seek justice by making testimony through his Twitter account. Unexpectedly, his testimony uttered various reactions related to the social reality of society. This article aims to explore and analyze the social context and speech response patterns that represent that context. Multiple stories of netizens' responses to testimonies of sexual violence uploaded by the @TT_Guillaume account that occurred in 2018 became the object of the study of this article. In writing the article, the method used is reading all the responses in the reply section, recording all the answers found. Moreover, the next step is classifying dan analyzing the data found, which is associated with Norman Fairclough's critical discourse analysis theory. The research discovers that the social context of Guillaume's utterances was related to sexual violence in institutions in France and influenced the presence of other testimonies. In addition, patterns that represent these social conditions were also found
{"title":"Realita Sosial di Sekitar Wacana Kasus Kekerasan Seksual Akun @Tt_Guillaume","authors":"Rahmalia Intan Sulistiyawati, Aprilia Firmonasari","doi":"10.22146/sasdaya.v6(2).100-116","DOIUrl":"https://doi.org/10.22146/sasdaya.v6(2).100-116","url":null,"abstract":"The problem of sexual violence has become a sensitive issue that has attracted the attention of various groups of people. In addition, this action classifies as a criminal act that causes physical and psychological harm. Sexual violence happens not only to women's groups but also to subordinated minority groups in society, such as the LGBTQ+ group. In early 2021, to be precise, in France, a student and student activist experienced sexual aggression by a politician from one of the dominant political parties there. He tried to seek justice by making testimony through his Twitter account. Unexpectedly, his testimony uttered various reactions related to the social reality of society. This article aims to explore and analyze the social context and speech response patterns that represent that context. Multiple stories of netizens' responses to testimonies of sexual violence uploaded by the @TT_Guillaume account that occurred in 2018 became the object of the study of this article. In writing the article, the method used is reading all the responses in the reply section, recording all the answers found. Moreover, the next step is classifying dan analyzing the data found, which is associated with Norman Fairclough's critical discourse analysis theory. The research discovers that the social context of Guillaume's utterances was related to sexual violence in institutions in France and influenced the presence of other testimonies. In addition, patterns that represent these social conditions were also found","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"174 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79636415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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