Christus homo factus Wm Cleue prosperet actus: Examining a Provenance Mark with Suggestions About the Later Ownership of the Paris Apocalypse (Paris, Bibliothèque nationale de France, MS fr. 403)

Emerson Storm Fillman Richards-Hoppe
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Abstract

Abstract (Lang: English):This annotation explores an unremarked upon provenance feature of the Paris Apocalypse (Paris, BnF Ms. fr 403), a mid-thirteenth-century illustrated Anglo-Norman Book of Revelation. While early scholars, such as Delisle, Meyer, and James, concerned their scholarship primarily with establishing a stemma to relate the Apocalypse manuscripts to each other, modern scholarship on the Apocalypses, such as that of Lewis, Emmerson, and Morgan, interests itself in using the Apocalypses to better understand reading habits and the culture surrounding them.This annotation offers an examination of a short ownership rhyme included on the back coverboard of the Paris Apocalypse which reads "Christus homo factus; W(illel)m prosperet actus." This rhyme appears in Oxford Bodl. Ms 110, an early fifteenth-century English composite manuscript of 184 leaves containing a collection of medieval Latin works of Christian instruction and preaching. After a comparison of the paleographic features, I fit the owner, William Cleve, into the known provenance narrative of the Paris Apocalypse and find that his brief ownership of the book was in fact likely.
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《事实上的基督》:关于巴黎启示录后来所有权的一个出处标记的检验(巴黎,法国国家图书馆,MS . 403)
摘要(Lang: English):本注释探讨了《巴黎启示录》(Paris, BnF Ms. fr 403)一个未被注意到的出处特征,这是一本13世纪中期的盎格鲁-诺曼插图《启示录》。早期的学者,如迪莱尔、迈耶和詹姆斯,主要关注的是建立一个体系,将《启示录》手稿彼此联系起来,而现代的《启示录》学者,如刘易斯、埃默森和摩根,则对利用《启示录》更好地理解阅读习惯和周围的文化感兴趣。这个注释提供了一个简短的所有权押韵的检查,包括在巴黎启示录的封底上,上面写着“Christus homo factus;我的事业蒸蒸日上。”这首押韵诗出现在《牛津词典》中。《Ms 110》是一份15世纪早期的英文合成手稿,共有184页,其中收录了中世纪拉丁语的基督教教导和布道作品。在比较了古生物学特征之后,我把这本书的主人威廉·克利夫(William Cleve)与已知的《巴黎天启》的出处叙述联系起来,发现他短暂拥有这本书实际上是有可能的。
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