THE SEMIOTICS OF THE SOUL IN ANCIENT MEDICAL DREAM INTERPRETATION: PERCEPTION AND THE POETICS OF DREAM PRODUCTION IN HIPPOCRATES’ ON REGIMEN

IF 0.2 4区 历史学 0 CLASSICS RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE Pub Date : 2019-06-01 DOI:10.1017/rmu.2019.8
Ella Haselswerdt
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引用次数: 2

Abstract

In the medical practice of Asclepian dream incubation, dreams offered a conduit through which the divine power of the healing god could be visited upon an ailing suppliant. This practice was enough of a part of everyday life in fifth-century Athens that it achieved the dubious honor of an extended parody in Aristophanes’ Plutus. An extensive inscriptional record suggests that it continued to flourish for many centuries. But there was another type of dream employed in ancient Greek and Roman medical practice, with a much scanter trail of evidence. These dreams had endogenous, physiological origins and provided information about the internal disposition of the body not by divine intervention, but by some manner of inward perception on the part of the patient. With the rising interest in observational methodology in the fith century, opsis, and ideally autopsy, became the basis on which scientific knowledge was produced and elaborated. Taboos against physically opening the human body, in life as well as in death, prevented physicians from directly observing their patients’ interiors. The visions of dreams, then, could potentially provide doctors with a uniquely valuable diagnostic tool: genuine access to the observation of a body's internal condition, albeit in a strange, mediated form.
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古代医学梦解释中的灵魂符号学:希波克拉底《养生论》中梦产生的感知与诗学
在阿斯克勒庇斯梦孵化的医学实践中,梦提供了一个通道,通过这个通道,治愈之神的神圣力量可以被访问到生病的恳求者身上。在五世纪的雅典,这种做法已经成为日常生活的一部分,以至于在阿里斯托芬的《普鲁图斯》中,它获得了延伸模仿的荣誉。大量的铭文记录表明,它持续繁荣了许多世纪。但在古希腊和罗马的医学实践中,还有另一种类型的梦,证据的线索要少得多。这些梦有内源性的、生理的起源,并提供了关于身体内部配置的信息,而不是通过神的干预,而是通过病人的某种内在感知方式。随着五世纪人们对观察方法学的兴趣日益浓厚,随想和理想的尸检成为科学知识产生和发展的基础。无论是生还是死,都有禁止打开人体的禁忌,这使得医生无法直接观察病人的内心。因此,梦的景象可能会为医生提供一种独特的、有价值的诊断工具:对身体内部状况的真正观察,尽管是以一种奇怪的、中介的形式。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
7
期刊最新文献
CONFLICT, TRAGEDY, AND INTERRACIALITY: BOB THOMPSON PAINTS VERGIL'S CAMILLA THE THIRD LIFECYCLE OF PHILOKLEON IN ARISTOPHANES’ WASPS METAGENRE AND THE COMPETENT AUDIENCE OF PLAUTUS’ CAPTIVI ERASING THE AETHIOPIAN IN CICERO'S POST REDITUM IN SENATU RMU volume 51 issue 2 Cover and Back matter
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