Proliferating Performance, Propagating Print: The Many Lives of Restoration Drama

IF 0.4 3区 社会学 Q4 MATERIALS SCIENCE, CHARACTERIZATION & TESTING HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-03-01 DOI:10.1353/hlq.2022.0006
Stephen Watkins
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Abstract

abstract:This essay explores the myriad stage and paper engagements with one of the most popular plays of the Restoration period: William Davenant and John Dryden's The Tempest, or the Enchanted Island (1670). It examines the flurry of printed materials circulated in the wake of the theatrical production, tracing The Tempest's migration from performance to print and back again. By charting how audiences and readers encountered the play beyond the playhouse, Stephen Watkins argues that we will begin to more accurately assess the role that commercial drama played in the cultural and imaginative lives of the people it originally entertained.
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增殖表演,传播印刷:复辟戏剧的许多生命
本文探讨了复辟时期最受欢迎的戏剧之一——威廉·达文南特和约翰·德莱顿的《暴风雨》(1670年)——的无数舞台和论文研究。它考察了在戏剧制作之后流通的大量印刷材料,追溯了《暴风雨》从表演到印刷再到印刷的转变。斯蒂芬·沃特金斯认为,通过绘制出观众和读者在剧场之外如何看待这部戏剧的图表,我们将开始更准确地评估商业戏剧在其最初娱乐的人们的文化和想象生活中所扮演的角色。
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HUNTINGTON LIBRARY QUARTERLY
HUNTINGTON LIBRARY QUARTERLY HUMANITIES, MULTIDISCIPLINARY-
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