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The Entwinement of Spectacle and Specimen: Mount Vesuvius in the Late Eighteenth Century 景观与标本的交织:18世纪晚期的维苏威火山
IF 0.3 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/hlq.2022.a903739
Thomas Beachdel
abstract:Late eighteenth-century representational strategies of Vesuvius that combine spectacular images of eruption with scientifically informed ones of natural process show a clear, yet inadequately examined connection between the aesthetic category of the sublime and natural history. Visual material, such as that found in the 1768 supplement to the Encyclopédie (1751–72) and in William Hamilton's 1779 supplement to Campi Phlegraei (1776), suggests porous boundaries between aesthetics and natural history. The entwinement of spectacle and specimen was a crucial means of comprehending and describing volcanic phenomena. Examining the relationship between the sublime and natural history furthers a more nuanced comprehension of the sublime beyond the nascent genre of landscape painting or the discrete aesthetic category. It also creates a richer understanding of natural history as it transformed into more specialized, professional—or more "scientific"—disciplines, such as geology and volcanology.
18世纪晚期维苏威火山的再现策略将壮观的喷发图像与科学的自然过程图像相结合,显示了崇高的美学范畴与自然历史之间清晰但尚未充分研究的联系。视觉材料,如1768年《百科全书》(1751-72)的补编和1779年威廉·汉密尔顿(William Hamilton)对《Campi Phlegraei》(1776)的补编中发现的材料,表明美学和自然史之间存在着漏洞。景观与标本的结合是理解和描述火山现象的重要手段。考察崇高与自然历史之间的关系,进一步加深了对崇高的细致理解,超越了新兴的山水画流派或离散的美学范畴。随着自然历史转变为更专业、更专业或更“科学”的学科,如地质学和火山学,它也创造了对自然历史更丰富的理解。
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引用次数: 0
The Annotations in the 1525 Ptolemy in the Huntington Library: The Continuing Influence of Martin Waldseemüller's World Map of 1507 亨廷顿图书馆1525年托勒密图注释:马丁·瓦尔德西姆·<e:1>勒1507年世界地图的持续影响
IF 0.3 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/hlq.2022.a903741
Chet Van Duzer
abstract:This article addresses the annotations in the exemplar of the 1525 edition of Ptolemy's Geography at the Huntington Library. The book has a rich ownership history and a sixteenth-century humanistic program of annotation by multiple hands. These annotations include texts copied from Martin Waldseemüller's 1507 world map. The manuscript enhancements of the book also include an extension eastward of the modern map of Eastern Europe. The book is a powerful testament to the use of Ptolemy as a matrix for the accumulation of geographic knowledge and to the continuing appreciation of Waldseemüller's 1507 world map.
本文对亨廷顿图书馆收藏的托勒密1525年版《地理》范例中的注释进行了讨论。这本书有丰富的所有权历史和16世纪的人文主义项目,由多手注释。这些注释包括从Martin waldseem ller的1507年世界地图上复制的文本。这本书的手稿增强版还包括对东欧现代地图的向东扩展。这本书有力地证明了托勒密是地理知识积累的母体,也证明了瓦尔德塞姆•勒(waldseem ller) 1507年绘制的世界地图得到了人们的持续欣赏。
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引用次数: 0
Jonson's Imaginary Library: "An Execration upon Vulcan" and Its Intertexts 约翰逊的想象图书馆:“对火神的诅咒”及其互文
IF 0.3 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/hlq.2022.a903738
Jane Rickard
abstract:Ben Jonson's 1623 poem "An Execration upon Vulcan" responds to a fire in his house, which seemingly destroyed some books and papers. Scholarly interest in this work has largely been confined to what biographical information it reveals. Yet this poem is in dialogue with Cervantes's Don Quixote, Rabelais's Pantagruel, and Donne's The Courtier's Library, and it engages with the genre of the mock library catalogue. By bringing together these works, the essay not only contributes to ongoing study of such Jonsonian concerns as censorship, interpretation, and the value of learning but also highlights his interest in contemporary European comic literature and the closeness of his association with Donne. It sheds light on early modern literature's self-consciousness about the library as a malleable concept, a self-consciousness with important methodological implications for critics and historians of the period.
1623年,本·琼生的《对火神的诅咒》这首诗是对他家中发生的一场大火的回应,这场大火似乎烧毁了一些书籍和文件。学者对这部作品的兴趣很大程度上局限于它所揭示的传记信息。然而这首诗与塞万提斯的《堂吉诃德》,拉伯雷的《潘塔格鲁》,多恩的《朝臣的图书馆》都有对话,它与模拟图书馆目录的类型有关。通过将这些作品汇集在一起,这篇文章不仅有助于对约翰逊关注的审查、解释和学习价值的持续研究,而且还突出了他对当代欧洲喜剧文学的兴趣以及他与多恩的密切联系。它揭示了早期现代文学对图书馆作为一个可塑概念的自我意识,这种自我意识对该时期的评论家和历史学家具有重要的方法论意义。
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引用次数: 0
A Tudor Family Library: Social Ambition and Continental Books in Sir Michael Dormer's Donation to the Bodleian Library 都铎家族图书馆:迈克尔·多马爵士向牛津大学图书馆捐赠的社会抱负和大陆书籍
IF 0.3 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/hlq.2022.a903737
S. van der Laan, R. Adams
abstract:This essay argues that an examination of the list of books donated to the Bodleian by Sir Michael Dormer in 1603 complicates our assumptions about the audience for Italian Renaissance literature in the Tudor period. Such study causes us to readjust our knowledge of the kinds of books owned by the gentry when set against the known book collections represented in the standard literature. It demonstrates that, by scrutinizing institutional donation lists in granular detail, we can increase the cumulative bibliographical data available to study book ownership across a wider social spectrum than has previously been accessible to scholars across the disciplines.
本文认为,对1603年迈克尔·多马爵士捐赠给牛津大学的书单的研究,使我们对都铎时期意大利文艺复兴文学读者的假设变得复杂。这样的研究使我们重新调整我们对绅士所拥有的书籍种类的认识,将其与标准文献中所代表的已知藏书相比较。它表明,通过详细审查机构捐赠清单,我们可以增加累积书目数据,以研究更广泛的社会范围内的图书所有权,而不是以前跨学科的学者所能获得的。
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引用次数: 0
A Bishop for Virginia in 1672 Revisited 1672年弗吉尼亚主教重访
IF 0.3 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/hlq.2022.a903742
W. Gibson
abstract:This note revisits a 2009 essay by William Gibson on a proposal to appoint an Anglican bishop for Virginia in 1672. The essay indicated how advanced the planning for the project was and gave information from an archival source of a meeting of five bishops to plan the funding and powers of the bishop. What was not clear was why the project failed. This note, using manuscripts from the Huntington Library, uses letters written in the mid-eighteenth century to explain the reasons for the failure of the project. Principal among these was the distraction of one of the major proposers of the plan, Alexander Murray, by Irish entanglements.
本文重访威廉·吉布森2009年的一篇文章,讨论1672年为弗吉尼亚任命一位圣公会主教的提议。这篇文章指出了该项目的计划是多么先进,并从档案来源提供了五名主教会议的信息,以计划主教的资金和权力。目前尚不清楚该项目失败的原因。这篇笔记使用了亨廷顿图书馆的手稿,使用了18世纪中期的信件来解释该项目失败的原因。其中最主要的原因是该计划的主要提倡者之一亚历山大·默里(Alexander Murray)因爱尔兰的纠纷案而分心。
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引用次数: 0
"That Dreadful Distemper": Smallpox, Quakers, and Inoculation in Enlightenment Britain “那可怕的瘟热”:启蒙时期英国的天花、贵格会和疫苗接种
IF 0.3 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/hlq.2022.a903740
E. Bouldin
abstract:Quakers were early adopters and promoters of inoculation, but the procedure became a contested issue among Friends. This study analyzes eighteenth-century Quaker writings on inoculation, which emphasized both human reason and divine revelation. Highlighting the diversity of ideas about the meaning of smallpox and the value of inoculation, the essay demonstrates how debates over inoculation drew Quakers into broader discourses surrounding religion, disease, and medicine in Enlightenment Britain.
贵格会教徒是接种疫苗的早期采用者和推动者,但接种过程在贵格会教徒中引起了争议。本研究分析了18世纪贵格会关于接种的著作,这些著作强调人类的理性和神的启示。这篇文章强调了关于天花的意义和接种的价值的观点的多样性,展示了在启蒙运动的英国,关于接种的争论如何将贵格会教徒吸引到围绕宗教、疾病和医学的更广泛的讨论中。
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引用次数: 0
Unwresting the Past: The Poetics and Politics of Samuel Daniel's 1595 Civil Wars 解开过去:塞缪尔·丹尼尔1595年内战的诗学与政治
IF 0.3 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/hlq.2022.a903736
Tracey Sedinger
abstract:This essay reads the 1595 edition of Samuel Daniel's Civil Wars in the context of the unsettled succession and its impact on the career of Robert Devereux, Earl of Essex. Daniel rejected the imitative logic of monarchical-republican historiography in favor of a rhetorical strategy that rendered the past less "real" than notional. He reconfigured Sidneian categories of understanding and structures of feeling, and redeployed figures of speech—prosopopeia and prosopographia—designated as carriers of energeia, to replace reading for imitation with a historiographical poetics that diffuses agency while retaining moral responsibility.
本文以埃塞克斯伯爵罗伯特·德弗罗继位未定及其对其职业生涯的影响为背景,解读1595年版塞缪尔·丹尼尔的《内战》。但以理拒绝了君主共和史学的模仿逻辑,支持一种修辞策略,使过去变得不那么“真实”,而更像是一种概念。他重新配置了西德尼式的理解范畴和情感结构,并重新部署了言语形象——拟态和拟态——它们被指定为能量的载体,用一种史学诗学取代了模仿的阅读,这种史学诗学在保留道德责任的同时扩散了能性。
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引用次数: 0
The Ellesmere Chaucer: The Once and Future Canterbury Tales 《埃尔斯米尔·乔叟:过去与未来的坎特伯雷故事集
IF 0.3 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1353/hlq.2022.0014
James Simpson
abstract:This essay about the Huntington Library’s Ellesmere manuscript of Canterbury Tales was originally written to be a research lecture, one of a series of talks on treasures of the Huntington’s collections given in celebration of the Huntington’s centennial in 2019–20. Here, James Simpson uses the manuscript, and particularly its visual depiction of Chaucer as a storytelling pilgrim, as a lens for understanding the role of Chaucer in producing the Tales. He outlines the various ways in which scholarship has divagated from the evidence of this manuscript, yet returned to it. Simpson argues that we should return even more closely to it, admitting the likelihood that Chaucer himself oversaw its production.
这篇关于亨廷顿图书馆的《坎特伯雷故事集》埃尔斯米尔手稿的文章最初是作为一篇研究演讲而写的,这是为庆祝亨廷顿图书馆在2019 - 2020年成立100周年而举行的一系列关于亨廷顿收藏珍品的演讲之一。在这里,詹姆斯·辛普森(James Simpson)使用手稿,尤其是它对乔叟作为一个讲故事的朝圣者的视觉描绘,作为理解乔叟在创作《故事集》中所起作用的镜头。他概述了学术从手稿的证据中偏离,然后又回到手稿的各种方式。辛普森认为,我们应该更密切地关注它,并承认乔叟可能亲自监督了它的制作。
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引用次数: 0
Filling in the Blanks in Early Modern Drama 早期现代戏剧的填空
IF 0.3 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1353/hlq.2022.0017
Derek Dunne
abstract:This essay examines the staging of blank documents in early modern drama for the first time. It demonstrates the prevalence of blanks as props in over two dozen plays and argues for the blank as an important but neglected aspect of early modern textual culture. The permissiveness of the blank is shown to be dangerous within political dramas, both onstage and in real life. The essay also probes the theoretical implications of the blank as a symbol of literary interpretation itself. Attention is paid to historical and political contexts as well as minute bibliographical and typographical detail in a range of plays from Shakespeare, Jonson, Middleton, Shirley, and others.
本文首次探讨了早期现代戏剧中空白文献的舞台表现。它证明了空白作为道具在二十多部戏剧中的普遍存在,并认为空白是早期现代文本文化中一个重要但被忽视的方面。无论是舞台上还是现实生活中,政治剧中对空白的纵容都被证明是危险的。文章还探讨了空白作为一种文学解释符号本身的理论含义。关注的是历史和政治背景,以及从莎士比亚,约翰逊,米德尔顿,雪莉和其他人的一系列戏剧的分钟书目和印刷细节。
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引用次数: 0
Training for the Ministry: Shorthand and the Colonial New England Manuscript 培训部:速记和殖民地新英格兰手稿
IF 0.3 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1353/hlq.2022.0011
Teddy Delwiche
abstract:Shorthand, which dates back to antiquity and stretches to the present day, witnessed widespread interest in seventeenth- and eighteenth-century England and New England, especially among students as a tool to take sermon notes. Among the few considerations of early American shorthand, most have overemphasized the use of stenography for recording secrets. But such uses were not typical. Outside of the classroom, many schoolchildren mastered shorthand, which they used to record sermons. These notes were organized in a notebook, which served to teach future generations shorthand, and thereby create more notebooks, more knowledge. Shorthand thereby enabled a virtuous circle of pedagogical potential, leaving an unmistakable—yet underappreciated—mark on early American archives and culture alike.
速记的历史可以追溯到古代,一直延续到今天,它在17世纪和18世纪的英格兰和新英格兰引起了广泛的兴趣,尤其是在学生中,作为一种记录布道笔记的工具。在早期美国速记术的几个考虑因素中,大多数都过分强调了速记术在记录秘密方面的使用。但这种用法并不典型。在课堂之外,许多小学生掌握了速记,他们用速记记录布道。这些笔记被组织在一个笔记本上,用来教后代速记,从而创造更多的笔记本,更多的知识。因此,速记使教学潜力形成了一个良性循环,在早期的美国档案和文化中留下了一个明确无误但却被低估的印记。
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引用次数: 0
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HUNTINGTON LIBRARY QUARTERLY
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