KOMUNIKASI RITUAL PAWAI OGOH-OGOH SEBAGAI IMPLEMENTASI DALAM TRI HITA KARANA

Fikri Pub Date : 2023-05-31 DOI:10.53977/ws.v14i1.671
N. Anggreni
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Abstract

The Ogoh-ogoh parade is one of a series of Nyepi activities. In the implementation of the ogoh-ogoh parade which was held in the city of Mataram, it did not only involve Hindus, but also Muslims, Buddhists, and Christians. Ogoh-Ogoh is one of the works of sculpture that depicts the embodiment of Bhuta kala, Bhuta kala in Hinduism is described as the embodiment of a giant whose figure is known for its large and frightening size. The purpose of this study is to describe and analyze the implementation and values ​​contained in the teachings of tri hitakarana in the tradition of the ogoh-ogoh parade in Mataram City. This study used qualitative research methods. The results of this study are as follows: Ritual Communication of the Ogoh-Ogoh Parade as Implementation in Tri Hitakarana, including, 1) The Parhyangan conception is implemented before carrying out the ogoh-ogoh parade, where before the event begins the community performs a melaspas ceremony. 2) Conception Pawongan is the concept of harmonization between fellow humans, the implementation of which in the parade is not only the Hindu community who are involved as paratroopers or gamelan musicians, but there are also non-Hindu relatives that we meet bringing kecimol, gendang beleq and even barong sai to participate in the celebration and celebration. the success of the ogoh-ogoh parade. 3) The concept of Palemahan is implemented when after carrying out the ogoh-ogoh parade, the community then performs a mass mecaru ceremony or at their respective homes. The values ​​contained in the Ritual Communication of the Ogoh-Ogoh Parade as Implementation in the Tri Hitakarana are, 1) Religious or Spiritual Values, believing in the existence of God which is believed by Hindus or the people of Mataram City. 2) Social Values ​​and Religious Tolerance, mutual respect among Hindus or among each other despite different religions and beliefs, without anyone looking at social status, whether position, caste or wealth in order to achieve common goals, all work hand in hand enthusiastically, sincerely, sincerely and concern for others. 3) Art value, contained in the manufacturing process, where in making ogoh-ogoh techniques are needed in making and have a high artistic spirit by having an artistic soul so that person can pour ideas according to the desired imagination, not only looks good to the eye but also able to give an impression and meaning to everyone who observes the work of art.
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Ogoh-ogoh游行是Nyepi的一系列活动之一。在马塔兰市举行的ogoh-ogoh游行中,不仅有印度教徒,还有穆斯林、佛教徒和基督教徒。Ogoh-Ogoh是描绘Bhuta kala化身的雕塑作品之一,Bhuta kala在印度教中被描述为一个巨人的化身,他的身材以其巨大而可怕的体型而闻名。本研究的目的是描述和分析在马塔兰市的ogoh-ogoh游行传统中,三观的教义所包含的实施和价值。本研究采用定性研究方法。本研究的结果如下:在三Hitakarana中实施Ogoh-Ogoh游行的仪式交流,包括:1)在进行Ogoh-Ogoh游行之前实施Parhyangan概念,在活动开始之前,社区执行melaspas仪式。2)概念Pawongan是人类同胞之间和谐的概念,在游行中不仅有印度教社区的伞兵或甘美兰音乐家参与其中,而且还有我们遇到的非印度教亲戚带来keecimol, gendang beleq甚至barong sai参加庆祝和庆祝活动。ogoh-ogoh游行的成功。3) Palemahan的概念是在ogoh-ogoh游行之后,社区然后在他们各自的家中进行大规模的mecaru仪式。Ogoh-Ogoh游行的仪式交流中包含的价值观是,1)宗教或精神价值观,相信印度教徒或马塔兰市人民所相信的上帝的存在。2)社会价值观和宗教宽容,印度教徒之间或彼此之间相互尊重,尽管不同的宗教和信仰,没有人看社会地位,无论是地位,种姓还是财富,以实现共同目标。大家热情、真诚、真诚地携手工作,关心他人。3)艺术价值,包含在制作过程中,在制作ogoh-ogoh时需要技术,并且要有很高的艺术精神,要有艺术灵魂,这样人们就可以根据自己的想象来倾倒想法,不仅看起来很好看,而且能够给每个观察艺术品的人留下印象和意义。
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