Witches and Cunning Folk in British Literature 1800–1940

R. Hutton
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引用次数: 1

Abstract

abstract:Relatively little attention has been paid to representations of witches and cunning folk (popular magicians) in British literature of the nineteenth and early twentieth centuries. There have been a few pioneering works, but they have adopted different definitions of witches, concentrated on different spans of time, and reached different conclusions (and half of them are still contained in unpublished theses). This study covers the whole period between 1800 and 1940 and operates a consistent and rigorous set of definitions of the figures under consideration. It considers images of the witch as villain, victim, and heroine along with parallel images of cunning folk, and it demonstrates what remains constant in them and what changes over this long span of time. In doing so, it is intended to make a contribution to a better understanding of the place of witchcraft and magic in the modern British imagination.
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1800-1940年英国文学中的女巫和狡猾的人
在19世纪和20世纪初的英国文学中,巫婆和狡猾的民间(通俗魔术师)的形象相对较少受到关注。有一些开创性的作品,但他们采用了不同的女巫定义,集中在不同的时间跨度,得出了不同的结论(其中一半仍然包含在未发表的论文中)。这项研究涵盖了1800年至1940年的整个时期,并对所审议的数字采用了一套一致和严格的定义。它将女巫的形象分为恶棍、受害者和女主角,以及狡猾的民间人物,并展示了他们身上保持不变的东西,以及在漫长的时间里发生了什么变化。这样做的目的是为了更好地理解巫术和魔法在现代英国人想象中的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
19
期刊介绍: Preternature provides an interdisciplinary, inclusive forum for the study of topics that stand in the liminal space between the known world and the inexplicable. The journal embraces a broad and dynamic definition of the preternatural that encompasses the weird and uncanny—magic, witchcraft, spiritualism, occultism, esotericism, demonology, monstrophy, and more, recognizing that the areas of magic, religion, and science are fluid and that their intersections should continue to be explored, contextualized, and challenged.
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