The Free Individual in a Tale of Democracy: Hegemony and Dystopia in Visual Narratives

Pub Date : 2022-01-01 DOI:10.17646/kome.75672.90
Hasan Gürkan, İlkim Ergene
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引用次数: 1

Abstract

This study examines the power relations of the characters in dystopian-themed visual culture narratives. The study is based on the reasons that lead to the construction of the concept of hegemony, how a hegemonic system is processed in the dystopian narrative, and the effect of this system on the social norms among the characters. This study examines both how social norms enable the functioning of the hegemony system and how the characters are separated among themselves according to age, gender, power, and race differences. The study examines the young-adolescent TV series The Society (2019) in connection with the concept of hegemony. The main argument of this essay is the attempt made to theoretically contextualize and systematically analyze a contemporary TV series through a combination of political science, speculative fiction, and film studies to explore the concept of hegemony. The hegemony in the narrative is based on the existence of the sovereign power and is built through all the oppression and ideological devices held by this power.
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民主故事中的自由个体:视觉叙事中的霸权与反乌托邦
本研究探讨反乌托邦主题视觉文化叙事中人物的权力关系。研究的基础是导致霸权概念建构的原因,霸权体系在反乌托邦叙事中是如何加工的,以及这一体系对人物之间社会规范的影响。本研究考察了社会规范如何使霸权体系发挥作用,以及角色如何根据年龄、性别、权力和种族差异而彼此分离。该研究将青少年电视剧《社会》(2019)与霸权概念联系起来。本文的主要论点是试图通过政治学、思辨小说和电影研究的结合,对一部当代电视剧进行理论语境化和系统分析,以探索霸权的概念。叙事中的霸权是建立在主权权力存在的基础上的,是通过主权权力所掌握的一切压迫手段和意识形态手段建立起来的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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