En busca del Sonido Made in Barcelona

IF 0.1 0 MUSIC Opus Pub Date : 2020-12-22 DOI:10.20504/OPUS2020C2609
Adrien Faure-Carvallo, Josep Gustems-Carnicer
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引用次数: 2

Abstract

Throughout history, we find some music styles that can be associated to places that for some reason, like certain cities, confer a symbolic and identity charge to a characteristic sound. Currently, Barcelona is a focus of attraction for many musicians since it has a broad background in international-level production of popular urban music. The objective of this work is to determine whether the popular music of the city of Barcelona has its own sound that can be identified from the music produced in this city. For this purpose, several musical producers working in Barcelona have been interviewed who have analyzed the cultural and musical situation of the city and have pointed out the difficulties and contradictions between the recording industry and cultural policy that both help and hinder the current production of a sound Made in Barcelona.
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寻找巴塞罗那制造的声音
纵观历史,我们发现一些音乐风格可以与某些地方联系起来,因为某些原因,比如某些城市,赋予一种特征声音象征性和身份性。目前,巴塞罗那是吸引许多音乐家的焦点,因为它在国际水平的流行城市音乐制作方面有着广泛的背景。这项工作的目的是确定巴塞罗那市的流行音乐是否有自己的声音,可以从这个城市产生的音乐中识别出来。为此,我们采访了几位在巴塞罗那工作的音乐制作人,他们分析了这座城市的文化和音乐状况,并指出了唱片行业和文化政策之间的困难和矛盾,这些困难和矛盾既有助于也阻碍了目前巴塞罗那制造的声音。
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来源期刊
Opus
Opus MUSIC-
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
21 weeks
期刊介绍: Founded in 1989, OPUS is a four-monthly journal with the aim to widely promote musical knowledge by exploring practical, theoretical, historical, political, cultural and/or interdisciplinary aspects of music while fostering innovative technical perspectives. A scientific journal of the Associação Nacional de Pesquisa e Pós-Graduação em Música [National Association of Music Research and Postgraduate] — ANPPOM — its primary focus is to provide a broad overview of the most representative research on music in Brazil.
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