{"title":"HALK MÜZİĞİ İCRASINDA EZGİ YAPILARININ AKORT DEĞİŞİMİNE ETKİSİ Ve KURAMSAL YANSIMALARI","authors":"İlhami Kaya","doi":"10.12739/NWSA.2021.16.2.D0275","DOIUrl":null,"url":null,"abstract":"Folk music; It is a musical discourse of oral culture in which feelings, thoughts or experiences are expressed by the âşık or minstrel without any understanding of art. It does not need any theory, as it is not concerned with art. For this reason, it carries irregular structures as well as structures that can be called regular. The most effective training method of this tradition, which has been the master-apprentice relationship does not depend on any theory. When we look at such education and works. It seems to be found implicitly that have theoretical elements in folk melodies. The study examines the reasons for the place and importance of these structures in the basic theory of folk music. In addition, a development map was drawn by expanding the pitch areas with the help of folk melodies patterns and points to be considered in sound systems were pointed out. Method examined by the screening method TRT Folk music repertoire of works, expressed in the order of enforcement techniques and motifs used pitchs were analyzed. Keyword: Folk Music, Bağlama, Different of Accord, TRT Folk Music Repertory, Type of Mode","PeriodicalId":11629,"journal":{"name":"e-Journal of New World Sciences Academy","volume":"57 1","pages":"98-112"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"e-Journal of New World Sciences Academy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12739/NWSA.2021.16.2.D0275","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Folk music; It is a musical discourse of oral culture in which feelings, thoughts or experiences are expressed by the âşık or minstrel without any understanding of art. It does not need any theory, as it is not concerned with art. For this reason, it carries irregular structures as well as structures that can be called regular. The most effective training method of this tradition, which has been the master-apprentice relationship does not depend on any theory. When we look at such education and works. It seems to be found implicitly that have theoretical elements in folk melodies. The study examines the reasons for the place and importance of these structures in the basic theory of folk music. In addition, a development map was drawn by expanding the pitch areas with the help of folk melodies patterns and points to be considered in sound systems were pointed out. Method examined by the screening method TRT Folk music repertoire of works, expressed in the order of enforcement techniques and motifs used pitchs were analyzed. Keyword: Folk Music, Bağlama, Different of Accord, TRT Folk Music Repertory, Type of Mode