Consequences of Laughter: Reflections on Performing Comedic Self-Deprecation and Reacting to Deprecation in General

Q1 Arts and Humanities a/b: Auto/Biography Studies Pub Date : 2022-05-04 DOI:10.1080/08989575.2022.2136828
Su Heng (Michael) Yi
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Abstract

Abstract In this autoethnographic essay, the author draws on his experiences as a Chinese immigrant in Canada to reflect on how they shaped his style of comedy and how they revealed the limitations of self-deprecating humor, particularly when it is used as a response to jokes that imply discriminatory worldviews. While a self-deprecating response can steal the laugh from the person telling a derogatory joke, its outcomes are not always certain. Studies of audience responses to comedy have indicated that the presence or absence of laughter can be seen as an affirmation or rejection of the ideas embedded in the jokes, suggesting how, when self-deprecation succeeds in provoking laughter, it runs the risk of perpetuating the harmful ideas it aims to counteract. The author examines his own confrontations with racist humor alongside accounts of similar situations involving Asian comedians living in the West, such as Ryan Higa and Joe Wong, to illustrate the dilemma of self-deprecating humor as well as the potential personal and professional consequences for those who employ it.
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笑的后果:表演喜剧自嘲的思考和对一般自嘲的反应
在这篇自传体的民族志文章中,作者借鉴了他作为加拿大华人移民的经历,反思这些经历如何塑造了他的喜剧风格,以及这些经历如何揭示了自嘲式幽默的局限性,尤其是当自嘲式幽默被用来回应含有歧视性世界观的笑话时。虽然自嘲式的回应能让讲贬损笑话的人笑不出来,但其结果并不总是确定的。对观众对喜剧反应的研究表明,笑的出现或不笑可以被视为对笑话中隐含的思想的肯定或拒绝,这表明,当自嘲成功地引发笑声时,它是如何冒着将其旨在消除的有害思想永久化的风险的。作者考察了自己与种族主义幽默的冲突,以及生活在西方的亚洲喜剧演员(如瑞安·希加和黄西)的类似情况,以说明自嘲式幽默的困境,以及那些使用这种幽默的人可能面临的个人和职业后果。
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来源期刊
a/b: Auto/Biography Studies
a/b: Auto/Biography Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
自引率
0.00%
发文量
27
期刊介绍: a /b: Auto/Biography Studies enjoys an international reputation for publishing the highest level of peer-reviewed scholarship in the fields of autobiography, biography, life narrative, and identity studies. a/b draws from a diverse community of global scholars to publish essays that further the scholarly discourse on historic and contemporary auto/biographical narratives. For over thirty years, the journal has pushed ongoing conversations in the field in new directions and charted an innovative path into interdisciplinary and multimodal narrative analysis. The journal accepts submissions of scholarly essays, review essays, and book reviews of critical and theoretical texts as well as proposals for special issues and essay clusters. Submissions are subject to initial appraisal by the editors, and, if found suitable for further consideration, to independent, anonymous peer review.
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