A love couple revealed, Jacob Adriaensz Backer's so called David en Bathsheba identified as Isaac and Rebecca

IF 0.1 2区 艺术学 0 ART OUD HOLLAND Pub Date : 2011-01-01 DOI:10.1163/187501711798264201
E. Kok
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Abstract

Jacob Backer signed and dated (1640) a history piece that until now was entitled David and Bathsheba and is located in Tokyo. The image however, lacks the traditional iconographical motifs from which we can recognize this old biblical story.In this article I propose that the painting is a portrait historie of the wealthy Amsterdam couple Marinus Lowysse and Eva Ment represented as Isaac and Rebecca. Backer modelled his biblical love couple after Rafael's fresco Isaac and Rebecca spied upon by Abemelich in the Vatican. Backer must have known that image from Sisto Badalocchio's print of 1607 in Historia del Testamento Vecchio - this collection of fifty prints was reprinted in Amsterdam in 1638.The identification as Isaac and Rebecca does not show at first sight in the present painting. Therefore, we have to take in consideration that the current image is heavily over painted and the canvas is reduced by almost 65 %. Fortunately a drawing in Braunschweig – that was convincingly attributed by Peter van den Brink as a modello by Backer - offers a clear idea of the monumental standing format of the original painting and it's explicit erotic content. This is particular notable in the slung-leg motif that contemporaries undoubtedly would have recognized as the act of making love. The erotic allusions, the rare subject, and the unusual huge standing format are indicative of a commission.The identification of the commissioners derives from the striking likeness, in features and clothing, that the man in the Tokyo painting shows with the portrait of Marinus Lowysse, that he – as we know - commissioned from Backer in the same year of 1640, a Portrait historie of Marinus Lowysse en Eva Ment, with their children, presenting the history of Christ and the Canaanite Woman, now in Middelburg. Recently an unknown painting of Backer turned up at the art market, which is very likely another portrait of Marinus Lowysse; apparently he was an important client of Backer.
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一对情侣透露,Jacob Adriaensz Backer所谓的David en拔示巴被确认为以撒和丽贝卡
雅各布·贝克尔在一件历史作品上签名并注明日期(1640年),该作品至今名为《大卫与拔示巴》,位于东京。然而,这个形象缺乏传统的图像主题,我们可以从中认出这个古老的圣经故事。在这篇文章中,我提出这幅画是富有的阿姆斯特丹夫妇Marinus Lowysse和Eva Ment的肖像历史,代表艾萨克和丽贝卡。贝克尔以拉斐尔的壁画《以撒和丽贝卡》为原型,模仿了阿贝米利奇在梵蒂冈窥探的这对圣经中的情侣。贝克尔肯定知道西斯托·巴达洛奇奥1607年在《维奇奥的历史》上的版画——1638年在阿姆斯特丹重印了50幅版画。以撒和丽贝卡的身份在这幅画中乍一看并不明显。因此,我们必须考虑到当前的图像被严重地涂过,画布减少了近65%。幸运的是,在布伦瑞克的一幅画——彼得·范登·布林克令人信服地认为这幅画是贝克尔的模特——提供了一个清晰的概念,即原作的巨大站立形式和明确的色情内容。这在悬挂腿的主题中尤为明显,当代人无疑会认为这是做爱的行为。情色的典故,罕见的主题,以及不寻常的巨大站立格式都表明了委托。这两位代表的身份来源于东京那幅画中的男子与Marinus Lowysse的肖像在五官和衣着上的惊人相似,我们知道,这幅画是他在1640年委托Backer创作的,Marinus Lowysse和Eva Ment的肖像历史,以及他们的孩子,展示了基督和迦南女人的历史,现在在米德尔堡。最近,艺术市场上出现了一幅不知名的贝克尔的画,很可能是另一幅马里努斯·洛伊斯的肖像;显然他是贝克尔的重要客户。
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来源期刊
OUD HOLLAND
OUD HOLLAND Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
33.30%
发文量
7
期刊介绍: The periodical Oud Holland is the oldest surviving art-historical periodical in the world. Founded by A.D. de Vries and N. der Roever in 1883, it has appeared virtually without interruption ever since. It is entirely devoted to the visual arts in the Netherlands up to the mid-nineteenth century and has featured thousands of scholarly articles by Dutch and foreign authors, including numerous pioneering art-historical studies. Almost from the magazine’s inception, the publication of archival information concerning Dutch artists has played an important role. From 1885 to his death in 1946, the renowned art historian Dr. Abraham Bredius set a standard of excellence for Oud Holland.
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