Marie de Gournay’s “Advis à quelques gens d’Église” and the Early Modern Rigorist Debate

IF 0.2 0 LITERATURE, ROMANCE Romanic Review Pub Date : 2021-12-01 DOI:10.1215/00358118-9377342
Derval Conroy
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Abstract

This article examines one of Marie de Gournay’s forays into religious controversy in her short text “Advis à quelques gens d’Église.” First published in L’Ombre de la damoiselle de Gournay (1626), the text is an indictment of the abuse of the sacrament of confession by both penitents and confessors, and points to a rigorist stance on the part of the author nearly twenty years before it became the dominant position of the church once again. Tackling a range of thorny questions such as the aim of confession, deferred absolution, and the nature of sin, Gournay examines confession as a societal institution, outlining how it fails utterly to reduce the daily experience of petty injustices and wrongdoing. Placing that failure squarely at the feet of the clergy, Gournay includes advice for the confessors, making of the text a secular “manuel des confesseurs”—an extraordinary undertaking for a laywoman at the time.
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玛丽·德·古尔奈的《对一些教会人士的警告》和早期现代严格主义辩论
这篇文章考察了玛丽·德·古尔内在她的短文“adis quelques gens d ' Église”中对宗教争议的一次尝试。最早发表在L 'Ombre de la damoiselle de Gournay(1626)上,文本是忏悔者和忏悔者滥用忏悔圣礼的起诉书,并指出了作者在其再次成为教会主导地位之前近20年的严厉立场。古尔内处理了一系列棘手的问题,如忏悔的目的、延迟赦免和罪恶的本质,他将忏悔作为一种社会制度进行了研究,概述了它如何完全无法减少日常生活中微不足道的不公正和不法行为的经历。古尔内将这一失败直接归咎于神职人员,并为忏悔者提供了建议,使文本成为世俗的“忏悔者手册”——这对当时的俗家妇女来说是一项非凡的事业。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Romanic Review
Romanic Review Arts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
23
期刊介绍: The Romanic Review is a journal devoted to the study of Romance literatures.Founded by Henry Alfred Todd in 1910, it is published by the Department of French and Romance Philology of Columbia University in cooperation with the Departments of Spanish and Italian. The journal is published four times a year (January, March, May, November) and balances special thematic issues and regular unsolicited issues. It covers all periods of French, Italian and Spanish-language literature, and welcomes a broad diversity of critical approaches.
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