Questioning Nature in Late Middle Ages. A History of Method, Praxis and Innovation

Q4 Arts and Humanities Medievalia Pub Date : 2021-12-12 DOI:10.19130/medievalia.2021.53.2.67981
Giovanni Patriarca
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引用次数: 1

Abstract

This essay traces the interconnections between method, praxis and innovation with their epistemological consequences at the end of the Middle Ages. In the wake of scholastic natural philosophy, this vibrant process marks a milestone in the history of science. During the Thirteenth and Fourteenth centuries a profound transformation takes place in the way of observing nature through a meticulous data collection, experiments and subsequent analysis. In this cultural framework, the Franciscans analyze the realities of the world with an extremely original pragmatic dynamism. This approach gives priority to a practical sense of thinking through a transformative action which opens the doors to a pioneering scientific method and contributes to a long series of innovations. A positive result is an advanced didactics—especially developed by Buridan, Oresme and their followers —that will have a great impact on a continental level, changing the common ground of European science.
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中世纪晚期对自然的质疑。方法、实践和创新的历史
本文追溯了方法、实践和创新之间的相互联系及其在中世纪末期的认识论后果。在经院自然哲学之后,这一充满活力的过程标志着科学史上的一个里程碑。在13和14世纪期间,通过细致的数据收集、实验和随后的分析,观察自然的方式发生了深刻的转变。在这种文化框架下,方济各会士以一种极具原创性的实用主义活力来分析现实世界。这种方法通过变革性的行动,为开创性的科学方法打开大门,并为一系列创新做出贡献,从而优先考虑实际意义上的思考。一个积极的结果是一种先进的教学方法——特别是由布里丹、奥瑞斯姆和他们的追随者开发的——将在整个大陆层面产生巨大的影响,改变欧洲科学的共同基础。
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来源期刊
Medievalia
Medievalia Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
16 weeks
期刊最新文献
Noelia Silva Santa Cruz, Francisco de Asís García García, Laura Rodríguez Peinado y Raúl Romero Medina (eds.), (In)materialidad en el arte medieval, Gijón, Trea, Piedras Angulares, 2023, 349 páginas 83 imágenes color, 2 tablas, ISBN 978-84-19525-68-0 Juego, simulación y cortesía: personajes históricos en textos literarios franceses del siglo XIII Matteo Maria Boiardo, Orlando enamorado, trad. Francisco Garrido de Villena (1555), edición crítica y anotada e introducción de Helena Aguilà Ruzola, Cilengua, San Millán de la Cogolla, 2023, 1.230 páginas. ISBN 9788418088278 (obra completa); 9788418088254 (vol. I), 9788418088261 (vol. II) La cançó de dona catalana: establiment del corpus, influències literàries i problemes de filiació Materializando lo inmaterial. Algunas consecuencias artísticas de la fiesta de la Virgen de la O en la Baja Edad Media
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