{"title":"Ein ,,Bohnenkönig“ im Stundenbuch. Zum Verhältnis von später Buch- und früher Genremalerei","authors":"Dominik Fugger","doi":"10.1163/003067212X13397495481023","DOIUrl":null,"url":null,"abstract":"The Bean King, better known by the cry uttered by fellow revellers: “The King drinks!”, is not only one of the most prominent but also one of the most enduring of all Netherlandish genre subjects, perhaps best known through the paintings of Jacob Jordaens and Jan Steen. Up to now it had been thought that the earliest versions go back to Marten van Cleve (1527-1581). However, it has hitherto gone unnoticed that a French Book of Hours, executed some decades earlier, contains a miniature illustrating the festivity which formed a ritual part of the celebrations of the feast of the Epiphany. But unlike Van Cleve, whose Bean King makes merry with fellow peasants, the unknown book illuminator situates the scene in a courtly milieu. This change of setting challenges our views about iconographic continuity and raises questions about the function and transformation of such images.","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2011-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"OUD HOLLAND","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/003067212X13397495481023","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
The Bean King, better known by the cry uttered by fellow revellers: “The King drinks!”, is not only one of the most prominent but also one of the most enduring of all Netherlandish genre subjects, perhaps best known through the paintings of Jacob Jordaens and Jan Steen. Up to now it had been thought that the earliest versions go back to Marten van Cleve (1527-1581). However, it has hitherto gone unnoticed that a French Book of Hours, executed some decades earlier, contains a miniature illustrating the festivity which formed a ritual part of the celebrations of the feast of the Epiphany. But unlike Van Cleve, whose Bean King makes merry with fellow peasants, the unknown book illuminator situates the scene in a courtly milieu. This change of setting challenges our views about iconographic continuity and raises questions about the function and transformation of such images.
OUD HOLLANDArts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
33.30%
发文量
7
期刊介绍:
The periodical Oud Holland is the oldest surviving art-historical periodical in the world. Founded by A.D. de Vries and N. der Roever in 1883, it has appeared virtually without interruption ever since. It is entirely devoted to the visual arts in the Netherlands up to the mid-nineteenth century and has featured thousands of scholarly articles by Dutch and foreign authors, including numerous pioneering art-historical studies. Almost from the magazine’s inception, the publication of archival information concerning Dutch artists has played an important role. From 1885 to his death in 1946, the renowned art historian Dr. Abraham Bredius set a standard of excellence for Oud Holland.