Verstehen/ Einfühlen in Arabian Sands (1959): Wilfred Thesiger as Traveler and Anthropologist

Marielle Risse
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Abstract

Using Geertz’s Verstehen/Einfuhlen distinction, this article begins with an overview of the travel writing and anthropological work about Oman, concentrating on the southern region of Dhofar. The article then situates Wilfred Thesiger’s classic Arabian Sands ([1959] 1991) within these two genres as an example of a writer who is able to show understanding for and empathy with his Bedu traveling companions. Thesiger’s Verstehen is demonstrated through comparing the details he gives of Bedu culture with current manifestations. His Einfuhlen is shown through his overarching concern for his companions and his respectful descriptions of their life, avoiding the typical Victorian condescension toward “natives” and the self-absorbed gushing of many modern travel writers. Based on seven years of studying the culture of southern Oman, the article argues that Thesiger’s writing shows a rare combination of accuracy and empathy, which elevates his book to a model of both anthropological and travel writing.
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Verstehen/ einfhlen在阿拉伯之沙(1959):威尔弗雷德·塞西格作为旅行者和人类学家
本文采用Geertz的Verstehen/Einfuhlen区分,首先概述了有关阿曼的旅行写作和人类学工作,重点是佐法尔南部地区。然后,本文将威尔弗雷德·塞西格的经典作品《阿拉伯之沙》([1959]1991)置于这两种类型中,作为一个作家能够对他的贝都旅伴表示理解和同情的例子。Thesiger的Verstehen是通过比较他所提供的Bedu文化的细节与当前的表现形式来展示的。他的爱是通过他对同伴的关心和对他们生活的尊重来表现的,他避免了维多利亚时代对“当地人”的典型优越感和许多现代旅行作家的自我陶醉的滔滔不绝。基于对阿曼南部文化七年的研究,文章认为塞西格的写作表现出罕见的准确性和同理心的结合,这使他的书成为人类学和旅行写作的典范。
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