Harm and Harmony—Concepts of Nature and Environmental Practice in Japan

IF 0.4 0 ARCHITECTURE Architectural Histories Pub Date : 2023-03-30 DOI:10.3390/histories3020006
Regina M. Bichler
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引用次数: 1

Abstract

Japan is often surrounded by the myth of featuring a unique “love for nature”, and its traditional culture and lifestyle as having been “in harmony with nature” before it was corrupted by modernization and Westernization. In this paper, I employ three examples to delineate images of nature in different times of Japanese history and point out the discrepancy between discourse on nature and physical engagement with nature. I argue that the environmental destruction that peaked in the Meiji period (1868–1912) is not primarily derived from a new, dualistic Euro-American understanding of nature. Rather, I demonstrate that environmental harm was already inherent in premodern Japan and was reconcilable with the respective concepts of nature. Therefore, industrialization and the adoption of Western technology solely released the potential for large-scale environmental impact.
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危害与和谐——日本的自然观念与环境实践
日本经常被一种独特的“热爱自然”的神话所包围,其传统文化和生活方式在被现代化和西化所腐蚀之前一直是“与自然和谐相处”的。在本文中,我用三个例子来描绘日本历史上不同时期的自然形象,并指出关于自然的话语与与自然的身体接触之间的差异。我认为,在明治时期(1868-1912)达到顶峰的环境破坏主要不是源于一种新的、二元论的欧美对自然的理解。相反,我证明了环境危害在前现代日本已经是固有的,并且与各自的自然概念是可以调和的。因此,工业化和采用西方技术只是释放了大规模环境影响的潜力。
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来源期刊
Architectural Histories
Architectural Histories ARCHITECTURE-
CiteScore
0.70
自引率
0.00%
发文量
16
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