The Last Judgment of Savonarola

IF 0.2 3区 艺术学 0 ART SOURCE-NOTES IN THE HISTORY OF ART Pub Date : 2022-06-01 DOI:10.1086/722321
Rob Millard
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引用次数: 0

Abstract

Of the nearly four hundred figures in Michelangelo’s Sistine Chapel Last Judgment fresco (1536–41), fewer than one hundred have been identified as recognizable individuals (fig. 1). Most of these are canonical: many are biblical (Christ, the Virgin, John the Baptist); others are saints, distinguishable by the attributes of martyrdom (Sebastian, Bartholomew, Lawrence); and some are characters of a mythological cast (Minos, Charon). Fewer still are apparent portraits of Michelangelo’s contemporaries in the guises of particular saints or sinners. One of the few perceptible personalities to appear, not in an allegorical mien but
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萨沃纳罗拉的最后审判
在米开朗基罗的西斯廷教堂最后审判壁画(1536 - 1541)的近400个人物中,只有不到100个人物被确定为可识别的个体(图1)。其中大多数是权威人物:许多是圣经人物(基督、圣母、施洗约翰);另一些则是圣人,通过殉道的属性来区分(塞巴斯蒂安、巴塞洛缪、劳伦斯);还有一些是神话中的角色(米诺斯,卡戎)。更少的是米开朗基罗同时代人伪装成特定圣人或罪人的肖像。为数不多的可察觉的人物之一,不是以讽喻的方式出现,而是
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
20
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