Bakkum of Choe Hyeonbae

H. Jeong
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Abstract

In the Korean traditional grammar, the initial study on the bakkum(change) of words(gi, ssi) focused on change of part-of-speech introduced for functional purposes to construct the correct sentence. A representative example is gimom-bakkum by Ju Sigyeong (1910). Then in Gim Dubong (1916), which described tteut-bakkum(change of meaning) and mom-bakkum(change of part-of-speech) in a balanced manner, the search for change of meaning began in earnest, and as a result, the use of bakkum was expanded to a wider area. A series of studies from Choe Hyeonbae (1930, 1934, 1936) to Choe Hyeonbae (1937) show that bakkum has entered another stage. While actively discussing change of shape centered on ssikkeut-bakkum(change of ending) and kkol-bakkum(change of shape), the concept of bakkum were expanded to another area different from the existing change of part-of-speech and change of meaning. In the process, the role of ssigaji, which leads ssikkeut-bakkum, was greatly emphasized and interest in the word composition began, and contents directly related to word formation theory appeared in the literature through jjahim of ssi. This article discusses the succession and change aspects surrounding bakkum from Ju Sigyeong (1910) and Gim Dubong (1916) to Choe Hyeonbae (1937).
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在韩国传统语法中,最初对词形(gi, ssi)的研究主要集中在为构建正确的句子而引入的功能性词性变化上。代表性的作品是朱始庆(1910年)的《金巴琴》。后来,金杜峰(1916)以平衡的方式描述了tteut-bakkum(意义的变化)和mum -bakkum(词性的变化),开始认真地寻找意义的变化,因此bakkum的使用范围扩大了。从崔贤培(1930、1934、1936)到崔贤培(1937)的一系列研究表明,bakkum进入了另一个阶段。在以词尾变化(ssikkeut-bakkum)和形态变化(kkol-bakkum)为中心积极讨论形态变化的同时,将形态变化的概念扩展到不同于现有词性变化和意义变化的另一个领域。在这一过程中,以“词法”为主导的“词法”的作用得到了极大的强调,人们开始对构词产生兴趣,并通过“词法”的“词法”在文献中出现了与构词理论直接相关的内容。本文论述了从周始庆(1910年)、金斗峰(1916年)到崔贤培(1937年)的八琴的继承和变化。
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