Proverbs and Postproverbial Stance in Selected Plays of Emeka Nwabueze and Zulu Sofola

Q3 Arts and Humanities Matatu Pub Date : 2020-09-21 DOI:10.1163/18757421-05102015
Nkechi Ezenwamadu, Chinyere Ojiakor
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Abstract

Since the birth of Nigerian literature, writers have produced impressive collection of literature in English. African oral traditions like proverbs have been in use in creative works. Over time, there have been some alterations in proverbs as their usage and meanings slightly assume different dimensions on their seriousness, effects and explicitness of the message therein, forming either an extension to the traditional proverbs or coinages of certain expressions. It is contended that the meaning of proverbs can be interpreted within the semantic, ideational, stimulus-response, realist and contextual theories, as proverbs play significant roles in literary works. This paper anchors on J.L. Austin’s Speech Act Theory and examines the proverb uses and postproverbial reflections with the view to foregrounding their implications in two plays of common thematic preoccupations—Zulu Sofola’s Old Wines are Tasty and Emeka Nwabueze’s A Parliament of Vultures. Ultimately, it will highlight the proverbial stance and significance of the texts, thereby ascertaining the proverbial mutations in contexts.
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埃梅卡·努瓦布兹和祖鲁·索福拉剧选中的谚语和后谚语立场
自尼日利亚文学诞生以来,作家们创作了大量令人印象深刻的英语文学作品。像谚语这样的非洲口头传统已经被用于创造性的作品中。随着时间的推移,谚语的用法和意义在其严肃性、效果和信息的明确性方面略有不同,形成了对传统谚语的延伸或某些表达方式的新创造。由于谚语在文学作品中发挥着重要的作用,人们认为谚语的意义可以从语义理论、观念理论、刺激反应理论、现实主义理论和语境理论等方面进行解释。本文以J.L.奥斯汀的言语行为理论为基础,考察了祖鲁·索福拉的《陈年佳酿》和埃梅卡·努瓦布兹的《秃鹫议会》这两部具有共同主题关注的戏剧中谚语的使用和谚语后反思,以期揭示其隐含意义。最后,它将突出谚语的立场和文本的意义,从而确定谚语在语境中的突变。
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
9
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