{"title":"sewing a storytelling tapestry - when children take over the plot, a handmade art","authors":"daniela fossaluza","doi":"10.12957/CHILDPHILO.2020.48488","DOIUrl":null,"url":null,"abstract":"The purpose of this text is to think about how the handmade presents itself in the language of a tridimensional storytelling tapestry created and sewn into books--a technique and enterprise for the promotion of reading that originated on France and has developed in Brazil as of 1997--thinking over its survival in technological and accelerated times. For a better study of such the question, an experiment was made in the specific context of the “Solar Meninos de Luz” (a philanthropic educational institution) with children between 9 and 11 years old. The objective was to observe how the children would appropriate the given materials and the language of the story through elaborating on the given, original narrative. Our research led to the formulation of the methodological concept of research-atelier, and the hand-crafted practice of creating and sewing tapestry as a vehicle for the identity-development of the self-storyteller. It also led to reflection on how children relate to dimensions of the handmade through the experience of storytelling with tapestry. The research suggests specific practical applications, and helps us in thinking about the exercise of expression, the elaboration of speech/narrative, and the process of communication in the educational medium.","PeriodicalId":42107,"journal":{"name":"Childhood and Philosophy","volume":"78 1","pages":"01-23"},"PeriodicalIF":0.3000,"publicationDate":"2020-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Childhood and Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12957/CHILDPHILO.2020.48488","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
引用次数: 0
Abstract
The purpose of this text is to think about how the handmade presents itself in the language of a tridimensional storytelling tapestry created and sewn into books--a technique and enterprise for the promotion of reading that originated on France and has developed in Brazil as of 1997--thinking over its survival in technological and accelerated times. For a better study of such the question, an experiment was made in the specific context of the “Solar Meninos de Luz” (a philanthropic educational institution) with children between 9 and 11 years old. The objective was to observe how the children would appropriate the given materials and the language of the story through elaborating on the given, original narrative. Our research led to the formulation of the methodological concept of research-atelier, and the hand-crafted practice of creating and sewing tapestry as a vehicle for the identity-development of the self-storyteller. It also led to reflection on how children relate to dimensions of the handmade through the experience of storytelling with tapestry. The research suggests specific practical applications, and helps us in thinking about the exercise of expression, the elaboration of speech/narrative, and the process of communication in the educational medium.
这篇文章的目的是思考手工制作是如何以一种三维叙事挂毯的语言呈现自己的,这种挂毯是一种促进阅读的技术和企业,起源于法国,并于1997年在巴西发展起来,思考它在技术和加速时代的生存。为了更好地研究这个问题,在“太阳Meninos de Luz”(一个慈善教育机构)的特定背景下进行了一项实验,其中有9至11岁的儿童。目的是观察孩子们如何通过阐述给定的、原始的叙述来运用给定的材料和故事的语言。我们的研究导致了研究工作室方法论概念的形成,以及手工制作和缝制挂毯的实践,作为自我故事讲述者身份发展的工具。它还引发了对儿童如何通过与挂毯讲故事的体验与手工制作的维度相关联的思考。该研究提出了具体的实际应用,并帮助我们思考表达的练习,演讲/叙述的阐述,以及教育媒介中的交流过程。