{"title":"The Body Binary: Compulsory Able-bodiedness and Desirably Disabled Futures in Disney's The Little Mermaid and The Little Mermaid II: Return to the Sea","authors":"Jennifer C H Sebring, Pauline Greenhill","doi":"10.13110/MARVELSTALES.34.2.0256","DOIUrl":null,"url":null,"abstract":"Abstract:A feminist/queer/crip close textual reading of Disney's The Little Mermaid and its straight-to-DVD sequel, The Little Mermaid II: Return to the Sea, uncovers contrasting cultural narratives of disability. The first film, and mermaid Ariel's story line, represent conservative ideologies of compulsory able-bodiedness and the need for overcoming disability, as well as a strongly reinforced binary of merfolk versus humans. Conversely, the sequel, and (Ariel's and Prince Eric's daughter) Melody's narrative, imagine more progressive desirably disabled futurities and welcome hybrid embodiments through the process of shifting societal perspectives and deconstructing binaries that work to other those with nonnormative bodies.","PeriodicalId":42276,"journal":{"name":"Marvels & Tales-Journal of Fairy-Tale Studies","volume":"31 1","pages":"256 - 275"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Marvels & Tales-Journal of Fairy-Tale Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/MARVELSTALES.34.2.0256","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:A feminist/queer/crip close textual reading of Disney's The Little Mermaid and its straight-to-DVD sequel, The Little Mermaid II: Return to the Sea, uncovers contrasting cultural narratives of disability. The first film, and mermaid Ariel's story line, represent conservative ideologies of compulsory able-bodiedness and the need for overcoming disability, as well as a strongly reinforced binary of merfolk versus humans. Conversely, the sequel, and (Ariel's and Prince Eric's daughter) Melody's narrative, imagine more progressive desirably disabled futurities and welcome hybrid embodiments through the process of shifting societal perspectives and deconstructing binaries that work to other those with nonnormative bodies.
期刊介绍：
Marvels & Tales (ISSN: 1521-4281) was founded in 1987 by Jacques Barchilon at the University of Colorado, Boulder. Originally known as Merveilles & contes, the journal expressed its role as an international forum for folktale and fairy-tale scholarship through its various aliases: Wunder & Märchen, Maravillas & Cuentos, Meraviglie & Racconti, and Marvels & Tales. In 1997, the journal moved to Wayne State University Press and took the definitive title Marvels & Tales: Journal of Fairy-Tale Studies. From the start, Marvels & Tales has served as a central forum for the multidisciplinary study of fairy tales. In its pages, contributors from around the globe have published studies, texts, and translations of fairy-tales from Europe, North America, Asia, and Africa. The Editorial Policy of Marvels & Tales encourages scholarship that introduces new areas of fairy-tale scholarship, as well as research that considers the traditional fairy-tale canon from new perspectives. The journal''s special issues have been particularly popular and have focused on topics such as "Beauty and the Beast," "The Romantic Tale," "Charles Perrault," "Marriage Tests and Marriage Quest in African Oral Literature," "The Italian Tale," and "Angela Carter and the Literary Märchen." Marvels & Tales is published every April and October by Wayne State University Press.
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