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Marvels & Tales-Journal of Fairy-Tale Studies最新文献

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The Power of a Tale: Stories from the Israel Folktale Archives ed. by Haya Bar-Itzhak and Idit Pintel-Ginsberg (review) 《故事的力量:来自以色列民间故事档案的故事》,哈亚·巴尔·伊扎克和艾迪特·品特尔·金斯伯格主编(书评)
4区 文学 Q2 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1353/mat.2023.a900266
J. Jorgensen
ID:p0185 in 1955, the Israel Folktale Archives contain over twenty-four thousand folk narrative texts. They are classified using an internal numerical system, but thankfully the book provides a list of AT and ATU numbers that correspond to the tales where relevant. Much of the book’s introduction is spent detailing the ethnographic collection methods used both in general and at specific fieldwork sites, which is useful from a methodological perspective. The book also contains photographs of many of the tale-tellers, a list of the narrators, a list of the transcribers, and a list of the countries of origin of the narratives. There are appendixes aplenty. The
ID:p0185 1955年,以色列民间故事档案馆包含了超过24,000个民间叙事文本。它们使用内部数字系统进行分类,但值得庆幸的是,书中提供了与故事相关的AT和ATU号码列表。这本书的大部分介绍都花在详细介绍一般和特定田野调查地点使用的民族志收集方法上,这从方法论的角度来看是有用的。这本书还包含了许多讲故事的人的照片,一份叙述者的名单,一份抄写者的名单,以及一份叙述的原籍国的名单。有很多附录。的
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引用次数: 0
Fairy-Tale Tourism in Germany: On the Road with the Brothers Grimm 德国的童话旅游:与格林兄弟同行
4区 文学 Q2 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1353/mat.2023.a900260
Claudia M. Schwabe
Abstract:In this article I examine the German Fairy Tale Route as an example of fairy-tale tourism that merges fairy tales with local legends and history. Over the years, the Verein Deutsche Märchenstraße or German Fairy Tale Route Society (GFTRS), headquartered in the city of Kassel, has incorporated locales and regions into the route that have little or no connection with the Brothers Grimm, their Märchen, and their sources. I, therefore, argue that the GFTRS reimagines and markets places by instrumentalizing fairy tales for the sake of touristic gains while maintaining some questionable assertions of authenticity and tradition.
摘要:本文以德国童话之路为例,研究将童话故事与当地传说和历史相结合的童话旅游。多年来,总部位于卡塞尔市的德国童话路线协会Märchenstraße或德国童话路线协会(GFTRS)将一些与格林兄弟、他们的Märchen及其来源几乎没有联系的地点和地区纳入了这条路线。因此,我认为GFTRS通过利用童话故事来重新想象和销售这些地方,以获得旅游收益,同时保持一些可疑的真实性和传统主张。
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引用次数: 0
The Old Woman and the Tale: Exploring the Intersection of Age and Gender within the Bengali Roopkatha 《老妇人与故事:探索孟加拉神话中年龄与性别的交集》
4区 文学 Q2 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1353/mat.2023.a900262
Raahi Adhya
Abstract:The Bengali literary genre of the roopkatha, tales collected from regions that now lie in West Bengal and Bangladesh, gained immense popularity during the peak of anticolonial cultural nationalism in Bengal over the turn of the twentieth century. Among its defining characteristics is its association with old women. This article studies the roopkatha's old woman at the three levels of narrative, discourse, and social history to argue that she emerges as a capacious figure who troubles binary understandings of fairy-tale characterization, universalized assumptions about old age, and assumptions about the social roles of old women in South Asia.
[摘要]孟加拉语文学流派《鲁普卡塔》(roopkatha)是一种取材于西孟加拉邦和孟加拉国地区的故事,在20世纪初孟加拉反殖民主义文化民族主义的高潮时期获得了极大的欢迎。它的显著特征之一是与老年妇女的联系。本文从叙事、话语和社会历史三个层面对鲁夫卡塔的老妇人进行了研究,认为她是一个心胸宽广的人物,她打破了对童话人物的二元理解,对老年的普遍假设,以及对南亚老年妇女社会角色的假设。
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引用次数: 0
Gender Fluidity in Early-Modern to Post-Modern Children's Literature and Culture ed. by Sophie Raynard-Leroy and Charlotte Trinquet du Lys (review) 《早期现代到后现代儿童文学与文化中的性别流动性》,作者:索菲·雷纳德-勒罗伊、夏洛特·特里奎特·杜·莱斯
4区 文学 Q2 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1353/mat.2023.a900271
Jen Pendragon
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引用次数: 0
Women Writing Wonder: An Anthology of Subversive Nineteenth-Century British, French, and German Fairy Tales transed. by Julie L. J. Koehler et al. (review) 《女性写作的奇迹:19世纪颠覆性的英国、法国和德国童话选集》。Julie L. J. Koehler等人(回顾)
4区 文学 Q2 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1353/mat.2023.a900268
H. Mummert
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引用次数: 0
Folklore 101: An Accessible Introduction to Folklore Studies by Jeana Jorgensen (review) 民俗学101:民俗学概论Jeana Jorgensen(综述)
4区 文学 Q2 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1353/mat.2023.a900269
Jennifer Eastman Attebery
ID:p0325 Jorgensen’s Folklore 101: An Accessible Introduction to Folklore Studies is an engaging guide for those who want to know more about folklore but have not had the opportunity to study folklore formally. Jorgensen characterizes her intended readers as “people in the real world” (305). To reach this audience she adopts the informal rhetoric of blog posts with the form’s colloquialism, humor, asides, self-referentiality, and brevity. Many readers will enjoy this informality; others may find it too colloquial. The
乔根森的民俗学101:民俗学入门研究是一个引人入胜的指南,为那些谁想知道更多关于民俗学,但没有机会正式研究民俗学。乔根森将她的目标读者描述为“现实世界中的人”(305)。为了吸引这些读者,她采用了博客文章的非正式修辞形式,包括口语化、幽默、旁白、自我参照和简洁。许多读者会喜欢这种不拘小节;其他人可能会觉得它太口语化了。的
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引用次数: 0
No Country for Old Women: Age, Power, and Beauty in Neil Gaiman's Fantasies 《老女人无所依:尼尔·盖曼的幻想中的年龄、权力和美丽
4区 文学 Q2 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1353/mat.2023.a900258
M. Anjirbag
Abstract:This essay uses Neil Gaiman's Stardust, The Sleeper and the Spindle, and "Chivalry," to examine the intersection of age and gender in his fairy-tale appropriations to consider how fantasy can reiterate stereotypical representations of older women. By drawing on the age studies work of Sylvia Henneberg and Susan Pickard to consider ageism as a cross-section to gendered constructions in Gaiman's works, I make visible how age affects perception and construction of gender, which can lead to the intertwining of age stereotypes and gendered double standards.
摘要:本文以尼尔·盖曼的《星尘》、《沉睡者与纺锤》和《骑士精神》为例,考察其童话改编中年龄和性别的交叉关系,以探讨幻想如何重申对老年女性的刻板印象。通过借鉴Sylvia Henneberg和Susan Pickard的年龄研究工作,将年龄歧视视为Gaiman作品中性别建构的一个横截面,我可以看到年龄如何影响性别的感知和建构,这可能导致年龄刻板印象和性别双重标准的交织。
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引用次数: 0
Viewing Humans and Nonhumans in Fairy-Tale Animation: The Case of Michel Ocelot's Kirikou Films 在童话动画中观看人类和非人类:米歇尔·Ocelot的Kirikou电影的案例
4区 文学 Q2 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1353/mat.2023.a900261
L. C. Seifert
Abstract:French animator Michel Ocelot has garnered much praise for his fairy-tale films, which resist commercial norms and often question gender and racial stereotypes. But his Kirikou film series has nonetheless been criticized for recycling stereotypes of traditional African life. This article reframes these criticisms by focusing on the depiction of human-nonhuman relations. Ocelot's Kirikou films present a striking contrast between minimalist human figures and detailed backgrounds that focuses attention on how humans interact with the nonhuman. This aspect of the Kirikou films reminds us the fairy tale has much to reveal about how we conceive the world we inhabit.
摘要:法国动画大师米歇尔·奥斯洛特的童话电影抵制商业规范,经常质疑性别和种族的刻板印象,他的童话电影获得了很多好评。然而,他的Kirikou系列电影却因重复了对非洲传统生活的刻板印象而受到批评。本文通过关注人类与非人类关系的描述,重新构建了这些批评。Ocelot的Kirikou电影在极简主义的人物形象和细节化的背景之间呈现出鲜明的对比,将注意力集中在人类与非人类的互动上。Kirikou电影的这一方面提醒我们,童话故事对我们如何想象我们所居住的世界有很多启示。
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引用次数: 0
La fabbrica di Pinocchio. Dalla fiaba all'illustrazione, l'immaginario di Collodi by Veronica Bonanni (review) 皮诺曹工厂。从童话到插图,科洛迪的想象由维罗妮卡·博纳尼(评论)
4区 文学 Q2 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1353/mat.2023.a900274
Cristina Bacchilega
ID:p0555 his hat to the linguistic convention of Arabic that conceived of numbers like 1001 and 101 as stand-ins for an inexhaustibility of the infinite, Marzolph’s book retains the mysterious magic of the tales themselves, such that his collection becomes a garden of forking paths and unexpected pleasures. Marzolph’s book shares this quality with the best reference works that introduce the reader to new places to look, research, and find lost connections that may delight our friends, colleagues, and ourselves. This extremely erudite volume is the product of a lifetime of devotion to the field of comparative folk narrative research. The book is a trove of potential sources, methodologies, perspectives, and insights for specialist readers, which are the byways for future research. In a broader sense, each of the essays succeeds not only in delineating the “extent to which the West is indebted to the Muslim World” but, perhaps more significantly, it shows the “common features” that the West has shared with the Muslim tradition (3). For classroom teachers, one example of the kinds of passages from East to West drawn from the many case studies in this book would suffice to demonstrate the folly of nationalist scholarships. We can only hope that modern-day students are as lucky as Walpole was to encounter some of the inherited wisdom of these “silly” stories from long ago and far away. Maurice
他向阿拉伯语的语言惯例致敬,认为1001和101这样的数字代表着无限的无穷无尽,马尔佐夫的书保留了故事本身的神秘魔力,这样他的收藏就变成了一个小径分叉的花园和意想不到的快乐。Marzolph的书与最好的参考书分享了这种品质,它向读者介绍了新的地方,研究和寻找可能让我们的朋友,同事和我们自己高兴的失去的联系。这本极其博学的著作是他毕生致力于比较民间叙事研究领域的成果。这本书是一个潜在的来源,方法,观点,并为专业读者的见解宝库,这是未来的研究途径。从更广泛的意义上讲,每篇文章不仅成功地描绘了“西方对穆斯林世界的感激程度”,而且,也许更重要的是,它展示了西方与穆斯林传统共有的“共同特征”(3)。对于课堂教师来说,从本书的许多案例研究中提取的从东方到西方的段落中的一个例子足以证明民族主义奖学金的愚蠢。我们只能希望现代的学生能像沃波尔那样幸运,从这些古老而遥远的“愚蠢”故事中汲取一些传承下来的智慧。莫里斯
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引用次数: 0
A Fairy-Tale Digital Game and the Potential for Revision: Ubisoft Montreal's Child of Light 一款童话数字游戏及其修改潜力:育碧蒙特利尔工作室的《Child of Light
4区 文学 Q2 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1353/mat.2023.a900259
Agnieszka Kliś-Brodowska
Abstract:Child of Light (2014) by Ubisoft Montreal is a curious instance of a AAA-indie fairy-tale game with revisionist aspirations. In the article I read the game as an adaptation of, above all, the Brothers Grimm "Little Red Cap," ask whether it may indeed have a revisionist potential, and investigate the extent to which such potential may be seen as manifested through the game's narrative and ludic elements. I also argue for an investigation of the ideological functions of fairy-tale digital games that necessarily addresses the impact of the games industry on a game's content.
育碧蒙特利尔工作室的《Child of Light》(2014)是一款带有修正主义意图的aaa级独立童话游戏。在这篇文章中,我将这款游戏视为格林兄弟(Brothers Grimm)的《小红帽》(Little Red Cap)的改编作品,询问它是否确实具有修正主义的潜力,并调查这种潜力在多大程度上可以通过游戏的叙事和搞笑元素体现出来。我还主张对童话数字游戏的意识形态功能进行调查,以解决游戏产业对游戏内容的影响。
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Marvels & Tales-Journal of Fairy-Tale Studies
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