Storytelling as a political act: towards a politics of complexity and counter-hegemonic narratives

Abstract

Making accessible research findings through forms of storytelling is a useful method for activist and public scholarship. This article explores these possibilities through a project on migration and gender in the city of Durban, in South Africa. The research project collected oral histories of migrant women’s experiences in the city, and, in collaboration with artists, wove these narratives into a theatre performance titled The Last Country. The Last Country used an anti-essentialist politics to complicate, disrupt and make messy exclusionary hegemonic narratives on migration and gender that circulated within the contemporary social fabric. Storytelling as a political act is made visible through a reflection on the storytelling processes in the project. Building a chorus of voices, not just in the stories performed but in the design, data collection and analysis stage of a research project, is a productive and critical method for developing storytelling as an intentional political act. Public storytelling, such as The Last Country, used counter-hegemonic narratives to disrupt, disarticulate and expand dominant storylines, so that we may reimagine anew alternative ways of seeing and being in the city.