Approaching the audience: engagement markers in Longinus’ On the Sublime

Yilin Fang, Ganlin Zhuang
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引用次数: 1

Abstract

Abstract Metadiscourse is a significant method in revealing audience awareness, but related studies have been confined to linguistic markers and current writing analyses. This essay aims to enrich metadiscourse engagement in particular with certain rhetorical figures and to investigate audience awareness in a highly acclaimed Roman-era Greek classic: Longinus’ On the Sublime. Drawing from a refined framework of engagement, we find explicit evidence of audience awareness as manifested in the author’s use of engagement markers. We have sorted these markers into four types, including reader mentions (apostrophe and pronouns), directives (modal verbs and imperatives), questions (erotema and rogatio), and appeals to shared knowledge (emphasizers and comment clauses). We suggest that the frequent use of these engagement markers, in particular reader mentions, could be taken as evidence of the author’s strong audience awareness and the cueing effect in facilitating perception. This integration of rhetorical figures into the metadiscourse engagement markers contributes to the audience awareness analysis in a more explicit and comprehensive way.
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接近观众:朗吉努斯《崇高》中的参与标志
元话语是揭示受众意识的重要手段,但相关研究一直局限于语言标记和现行文分析。本文旨在丰富元话语的参与,特别是某些修辞手法,并研究罗马时代希腊经典作品朗吉努斯的《崇高》中的观众意识。从一个精致的用户粘性框架中,我们发现了用户意识的明确证据,这体现在作者对用户粘性标记的使用上。我们将这些标记分为四种类型,包括读者提及(撇号和代词)、指示(情态动词和祈使句)、疑问句(情态动词和谓语)和对共享知识的呼吁(强调词和注释子句)。我们认为,频繁使用这些参与标记,特别是读者提及,可以作为作者强烈的受众意识和促进感知的线索效应的证据。将修辞格与元话语参与标记相结合,有助于对受众意识进行更明确、更全面的分析。
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