{"title":"Dorian Wiszniewski on News from England","authors":"Dorian Wiszniewski","doi":"10.1017/s135913552200032x","DOIUrl":null,"url":null,"abstract":"This book is an extension of the ‘Land Architecture People’ exhibition first held in the Royal Danish Academy of Fine Arts School of Architecture, Copenhagen (2009), and then in the Ambika P3 Gallery, University of Westminster (2010). Ostensibly, this is a book of twelve unbuilt projects prepared between 2002 and 2015 by the office of Pierre d’Avoine. Yet, it also is far more than that. The projects are presented graphically through drawings and accompanied textually by transcriptions of interviews with a range of people connected to each project. The drawings are as you would expect if you have read Housey Housey: A Pattern Book of Ideal Homes: 1 an immaculate series of precise-line plans, sections, elevations, isometrics, axonometrics, and perspectives, sometimes collaged with photographs of context – and mostly seen from inside to out – which are absolutely without excess. These occasionally come supported by predominantly blackand-white photographs of models, all constructed in neutral materials focusing more on formal arrangements but which nonetheless give an overall sense of how the material qualities are intrinsically consistent to their disposition. Between text and drawings, not only do we see skilled architectural design conducted in exacting conditions, we also gain illuminating insight into a socially minded view of architecture with a subtle but vital critique of the cultural landscape of England. There is a modesty about each project. Even ‘Pleasure Holm for Birnbeck Island’ has reserve [1]. At first glance it seems quite unlike the eleven other projects, in that it is a visually striking project that ‘...a subtle but vital critique of the cultural landscape of England ...’","PeriodicalId":43799,"journal":{"name":"arq-Architectural Research Quarterly","volume":"38 1","pages":"283 - 288"},"PeriodicalIF":0.2000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"arq-Architectural Research Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s135913552200032x","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
This book is an extension of the ‘Land Architecture People’ exhibition first held in the Royal Danish Academy of Fine Arts School of Architecture, Copenhagen (2009), and then in the Ambika P3 Gallery, University of Westminster (2010). Ostensibly, this is a book of twelve unbuilt projects prepared between 2002 and 2015 by the office of Pierre d’Avoine. Yet, it also is far more than that. The projects are presented graphically through drawings and accompanied textually by transcriptions of interviews with a range of people connected to each project. The drawings are as you would expect if you have read Housey Housey: A Pattern Book of Ideal Homes: 1 an immaculate series of precise-line plans, sections, elevations, isometrics, axonometrics, and perspectives, sometimes collaged with photographs of context – and mostly seen from inside to out – which are absolutely without excess. These occasionally come supported by predominantly blackand-white photographs of models, all constructed in neutral materials focusing more on formal arrangements but which nonetheless give an overall sense of how the material qualities are intrinsically consistent to their disposition. Between text and drawings, not only do we see skilled architectural design conducted in exacting conditions, we also gain illuminating insight into a socially minded view of architecture with a subtle but vital critique of the cultural landscape of England. There is a modesty about each project. Even ‘Pleasure Holm for Birnbeck Island’ has reserve [1]. At first glance it seems quite unlike the eleven other projects, in that it is a visually striking project that ‘...a subtle but vital critique of the cultural landscape of England ...’
这本书是“土地建筑人”展览的延伸,该展览首先在哥本哈根的丹麦皇家美术学院建筑学院(2009年)举行,然后在威斯敏斯特大学的Ambika P3画廊(2010年)举行。表面上看,这是一本由Pierre d 'Avoine办公室在2002年至2015年间准备的12个未建成项目的书。然而,它也远不止于此。这些项目通过绘图以图形形式呈现,并附有对与每个项目相关的一系列人员的采访记录。如果你读过《Housey Housey: A Pattern Book of Ideal Homes》,你就会想到这些图纸:1是一系列完美无瑕的精确线条平面图、剖面图、立面图、等距图、轴测图和透视图,有时拼贴着背景照片——大部分是从内到外看的——绝对没有多余。这些偶尔会得到以黑白照片为主的模特的支持,这些照片都是用中性材料制作的,更多地关注于正式的安排,但尽管如此,它们还是给人一种总体上的感觉,即材料的质量是如何与她们的性格内在一致的。在文本和图纸之间,我们不仅看到了在严格条件下进行的熟练的建筑设计,我们还通过对英国文化景观的微妙但重要的批评,获得了对社会思想建筑观点的启发性见解。每个项目都有谦虚之处。即使是“Pleasure Holm for Birnbeck Island”也有保留[1]。乍一看,它似乎与其他11个项目很不一样,因为它是一个视觉上引人注目的项目……对英格兰文化景观的微妙而重要的批判……”
期刊介绍:
Arq publishes cutting-edge work covering all aspects of architectural endeavour. Contents include building design, urbanism, history, theory, environmental design, construction, materials, information technology, and practice. Other features include interviews, occasional reports, lively letters pages, book reviews and an end feature, Insight. Reviews of significant buildings are published at length and in a detail matched today by few other architectural journals. Elegantly designed, inspirational and often provocative, arq is essential reading for practitioners in industry and consultancy as well as for academic researchers.