Representing Kingship and Imagining Empire in Southern Dynasties Court Poetry

IF 0.6 3区 社会学 0 ASIAN STUDIES T'oung Pao Pub Date : 2016-10-03 DOI:10.1163/15685322-10213P03
Xiaofei Tian
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引用次数: 4

Abstract

Before the fifth century, the imperial identity of a ruler seems to have disabled him as a writer rather than encouraged him to be more prolific. Literary production gradually became centered in the court by the mid-fifth century, and a distinct feature of Southern Dynasties literature is the phenomenon that emperors and princes joined with their courtiers in the act of writing poetry on social occasions. This paper focuses on a number of poems by Emperor Wen of the Song (r. 424-453), Yan Yanzhi (384-456), Xie Tiao (464-499), Shen Yue (441-513), and Liu Xiaochuo (481-539) that represent kingship and empire and thereby become a means of disseminating and implementing imperial power. In particular, it examines the physical and discursive construction of the capital Jiankang. We see thereby that Southern Dynasties court poetry was instrumental in the performance of sovereignty and the envisioning of the new, southern empire. Avant le Ve siecle, le fait d’acceder au titre d’empereur semble avoir reduit ceux a qui cela arrivait a l’incapacite en tant qu’auteurs, plutot que de les encourager a une prolixite accrue. Vers le milieu du Ve siecle en revanche, la production litteraire tendit a se concentrer sur la cour, et l’un des traits particuliers de la litterature des dynasties du Sud est de voir empereurs et princes se joindre a leurs courtisans pour composer des poemes lors de reunions amicales. Le present article se concentre sur un certain nombre de poemes de Song Wendi (r. 424-453), Yan Yanzhi (384-456), Xie Tiao (464-499), Shen Yue (441-513) et Liu Xiaochuo (481-539) qui sont autant de representations de la royaute et de l’empire, et de ce fait ont servi a propager et realiser le pouvoir imperial. Est en particulier examinee la construction physique et discursive de la capitale, Jiankang. Tout cela montre le role-cle joue par la poesie de cour sous les dynasties du Sud dans l’exercice de la souverainete et la vision d’un nouvel empire meridional.
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南朝宫廷诗歌中的王权再现与帝国想象
在五世纪之前,统治者的帝国身份似乎阻碍了他写作,而不是鼓励他创作更多的作品。到五世纪中叶,文学生产逐渐以宫廷为中心,南朝文学的一个显著特征是皇帝和王子与他们的臣子一起在社交场合写诗。本文着重分析了宋文帝(约424-453)、严延之(约384-456)、谢条(约464-499)、沈越(约441-513)、刘晓朔(约481-539)等人的一些诗歌,这些诗歌代表了王权和帝国,从而成为传播和实施皇权的手段。特别地,它考察了首都建康的物质和话语结构。我们由此看到,南朝宫廷诗歌在主权的表现和对新南方帝国的设想中发挥了重要作用。在60年代之前,我们有一个很好的例子,我们有一个很好的例子,我们有一个很好的例子,我们有一个很好的例子,我们有一个很好的例子,我们有一个很好的例子,我们有一个很好的例子。《十六世纪的复仇》,《文学作品的创作》,《文学作品的创作》,《文学作品的创作》,《南方王朝的创作》,《皇帝和王子的创作》,《诗人的创作》,《诗人的创作》,《团聚的朋友》。本文对宋文迪(约424-453)、严延之(约384-456)、谢条(约464-499)、沈越(约441-513)、刘晓朔(约481-539)等人的某些诗名进行了分析,认为宋文迪(约424-453)、沈越(约441-513)、刘晓朔(约481-539)等人的诗名是王权和帝国的代表,是王权和帝国的传道者和实施者。考试特别考生拉建设体质和拉首都、建康话语。在南方的两个朝代中,在南方的两个朝代中,在南方的两个朝代中,在南方的两个朝代中,在南方的两个朝代中,在南方的两个朝代中,在南方的两个朝代中,在南方的两个朝代中,在新帝国的子午线中。
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T'oung Pao
T'oung Pao ASIAN STUDIES-
CiteScore
0.70
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0.00%
发文量
13
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