{"title":"Representing Kingship and Imagining Empire in Southern Dynasties Court Poetry","authors":"Xiaofei Tian","doi":"10.1163/15685322-10213P03","DOIUrl":null,"url":null,"abstract":"Before the fifth century, the imperial identity of a ruler seems to have disabled him as a writer rather than encouraged him to be more prolific. Literary production gradually became centered in the court by the mid-fifth century, and a distinct feature of Southern Dynasties literature is the phenomenon that emperors and princes joined with their courtiers in the act of writing poetry on social occasions. This paper focuses on a number of poems by Emperor Wen of the Song (r. 424-453), Yan Yanzhi (384-456), Xie Tiao (464-499), Shen Yue (441-513), and Liu Xiaochuo (481-539) that represent kingship and empire and thereby become a means of disseminating and implementing imperial power. In particular, it examines the physical and discursive construction of the capital Jiankang. We see thereby that Southern Dynasties court poetry was instrumental in the performance of sovereignty and the envisioning of the new, southern empire. Avant le Ve siecle, le fait d’acceder au titre d’empereur semble avoir reduit ceux a qui cela arrivait a l’incapacite en tant qu’auteurs, plutot que de les encourager a une prolixite accrue. Vers le milieu du Ve siecle en revanche, la production litteraire tendit a se concentrer sur la cour, et l’un des traits particuliers de la litterature des dynasties du Sud est de voir empereurs et princes se joindre a leurs courtisans pour composer des poemes lors de reunions amicales. Le present article se concentre sur un certain nombre de poemes de Song Wendi (r. 424-453), Yan Yanzhi (384-456), Xie Tiao (464-499), Shen Yue (441-513) et Liu Xiaochuo (481-539) qui sont autant de representations de la royaute et de l’empire, et de ce fait ont servi a propager et realiser le pouvoir imperial. Est en particulier examinee la construction physique et discursive de la capitale, Jiankang. Tout cela montre le role-cle joue par la poesie de cour sous les dynasties du Sud dans l’exercice de la souverainete et la vision d’un nouvel empire meridional.","PeriodicalId":23193,"journal":{"name":"T'oung Pao","volume":"80 1","pages":"18-73"},"PeriodicalIF":0.6000,"publicationDate":"2016-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"T'oung Pao","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15685322-10213P03","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 4
Abstract
Before the fifth century, the imperial identity of a ruler seems to have disabled him as a writer rather than encouraged him to be more prolific. Literary production gradually became centered in the court by the mid-fifth century, and a distinct feature of Southern Dynasties literature is the phenomenon that emperors and princes joined with their courtiers in the act of writing poetry on social occasions. This paper focuses on a number of poems by Emperor Wen of the Song (r. 424-453), Yan Yanzhi (384-456), Xie Tiao (464-499), Shen Yue (441-513), and Liu Xiaochuo (481-539) that represent kingship and empire and thereby become a means of disseminating and implementing imperial power. In particular, it examines the physical and discursive construction of the capital Jiankang. We see thereby that Southern Dynasties court poetry was instrumental in the performance of sovereignty and the envisioning of the new, southern empire. Avant le Ve siecle, le fait d’acceder au titre d’empereur semble avoir reduit ceux a qui cela arrivait a l’incapacite en tant qu’auteurs, plutot que de les encourager a une prolixite accrue. Vers le milieu du Ve siecle en revanche, la production litteraire tendit a se concentrer sur la cour, et l’un des traits particuliers de la litterature des dynasties du Sud est de voir empereurs et princes se joindre a leurs courtisans pour composer des poemes lors de reunions amicales. Le present article se concentre sur un certain nombre de poemes de Song Wendi (r. 424-453), Yan Yanzhi (384-456), Xie Tiao (464-499), Shen Yue (441-513) et Liu Xiaochuo (481-539) qui sont autant de representations de la royaute et de l’empire, et de ce fait ont servi a propager et realiser le pouvoir imperial. Est en particulier examinee la construction physique et discursive de la capitale, Jiankang. Tout cela montre le role-cle joue par la poesie de cour sous les dynasties du Sud dans l’exercice de la souverainete et la vision d’un nouvel empire meridional.