Perception of the Modern Movement in Architecture as Cultural Heritage

Q3 Arts and Humanities Art History and Criticism Pub Date : 2020-11-26 DOI:10.2478/mik-2020-0004
H. Doğan
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引用次数: 7

Abstract

Summary When the definition of cultural heritage in architecture is questioned regarding the perception of society, the results demonstrate that people identify cultural heritage as both material and spiritual achievements in the past and as a reflection of identity associated with historical monuments. Furthermore, the distinction between monument and cultural heritage does not have a well-distinguished definition for society in most cases. Therefore, the perception of people in the appraisal of cultural heritage consistently obscures the protection process, especially regarding the heritage of the Modern Movement era in architecture which started to be seen in the 20th century. While the experts acknowledge Modern Movement artefacts as cultural heritage, in most cases the perception of non-experts differs. Therefore, its architectural merit is not appreciated by society in the way it deserves, neither as an artefact nor as cultural heritage. By both literature review and performed research, this paper aims to analyse the reasons which create deprecation regarding the evaluation of Modern Movement heritage. Furthermore, it tries to suggest a series of actions which can be taken for achieving the protection of Modern Movement heritage.
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作为文化遗产的现代建筑运动的感知
当建筑文化遗产的定义受到社会认知的质疑时,结果表明,人们将文化遗产视为过去的物质和精神成就,并将其视为与历史遗迹相关的身份的反映。此外,在大多数情况下,纪念碑和文化遗产之间的区别在社会上没有一个明确的定义。因此,人们对文化遗产评估的认知一直模糊了保护过程,特别是对20世纪开始出现的建筑现代运动时期的遗产。虽然专家们承认现代运动文物是文化遗产,但在大多数情况下,非专家的看法不同。因此,无论是作为人工制品还是作为文化遗产,它的建筑价值都没有得到社会应有的重视。本文旨在通过文献综述和实践研究相结合的方法,分析现代运动遗产评价中产生贬损的原因。此外,它试图提出一系列可以采取的行动,以实现现代运动遗产的保护。
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来源期刊
Art History and Criticism
Art History and Criticism Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
7
审稿时长
24 weeks
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