Translating alienation – between escapism and adventure

Coolabah Pub Date : 2021-06-03 DOI:10.1344/CO20213073-102
Cristina Savin
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Abstract

The poems translated have been selected from Vasile Baghiu’s debut poetry collection The taste of alienation. Published in 1994, the collection represents the genesis of Baghiu’s story of poetic chimerism that spans three decades and eight volumes of poems. But the first chimeric ideas materialised, quietly, six years before The taste of alienation saw the light of day, at the height of the totalitarian regime in his native Romania. At the time, the poet was working as a nurse in a tuberculosis sanatorium, consumed by a sense of isolation in the depths of which he had a life-altering, liberating epiphany that shaped his identity and his understanding of the world. He realised that he could be someone else, that he could escape the personal, geographical and intellectual constraints imposed by the regime, and could virtually live a parallel life. And so poetic chimerism was born, as a means of evading ‘les maux de la societe’, as a form of personal freedom made possible through imagination and the re-creation, in writing, of imaginary travels through space and time.
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异化的翻译——在逃避和冒险之间
翻译的诗歌选自瓦西里·巴丘的处女作诗集《异化的味道》。这本诗集出版于1994年,讲述了巴丘长达30年、共8卷的诗歌嵌合故事的起源。但是,在他的祖国罗马尼亚极权主义政权达到顶峰的六年前,第一个异想天开的想法悄然实现了。当时,这位诗人在一家肺结核疗养院当护士,被一种孤立感所吞噬,在这种孤独感的深处,他有了一种改变生活的、解放的顿悟,这种顿悟塑造了他的身份和对世界的理解。他意识到他可以成为另一个人,他可以逃避政权施加的个人、地理和智力限制,实际上可以过一种平行的生活。因此,诗歌的嵌合诞生了,作为一种逃避“社会的罪恶”的手段,作为一种个人自由的形式,通过想象和再创造,在写作中,想象的时空旅行成为可能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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