L’'amour fou' tra spaesamento e straniamento in due scrittrici siciliane: Rosina Muzio Salvo e Cettina Natoli

Daniela Bombara
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Abstract

Amour fou between displacement and estrangement in two Sicilian writers of the Nineteenth Century Rosina Muzio Salvo and Cettina Natoli This research aims at investigating the topos of love as deep and extreme passion, in opposition to social stereotypes, in two novels by two Sicilian female writers of the Nineteenth Century, Adelina (1845) by Rosina Muzio Salvo (1815-1866) and Margherita Royn (1886) by Cettina Natoli (1867-1913). In Adelina amour fou is in conflict with the patriotic needs and the moralism of the newborn middle-class society; in Margherita Royn, an overliterary, different kind of love clashes with the materialism and commercialization which dominate in late Nineteenth century. Adelina’s displacement is highlighted by the structure of the polyphonic epistolary novel, in which the protagonist’s ‘reasons of the heart’ are opposed to the opinions of all the other characters; according to a process of Verghian estrangement (Luperini, 1974), they convey a distorted picture of her passion and consider it a weird, unacceptable fact. Margherita is able to see reality only through an overly literary lens of extreme sentimentality; her isolation is manifest in the depiction of her body, consumed by an adulterous passion which contrasts with her husband’s rough physicality; overcome by jealousy, he will end up killing her.
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两位西西里作家:Rosina Muzio Salvo和cecilia Natoli
本研究旨在探讨19世纪西西里岛女作家罗西娜·穆齐奥·萨尔沃(1815-1866)的《阿德琳娜》(1845)和塞蒂娜·纳托利(1867-1913)的《玛格丽特·罗伊》(1886)这两部小说中与社会刻板印象相反的深沉而极端的爱情主题。在《阿德琳娜》中,爱情与新生的中产阶级社会的爱国需要和道德主义相冲突;在《玛格丽特·罗伊》中,一种过度文学化的、不同的爱情与十九世纪晚期占主导地位的物质主义和商业化发生了冲突。这部复调书信体小说的结构突出了阿德琳娜的流离失所,在这部小说中,主人公的“内心原因”与所有其他人物的观点相反;根据维根式的疏远过程(Luperini, 1974),他们传达了一幅扭曲的她的激情的画面,并认为这是一个奇怪的,不可接受的事实。玛格丽塔只能通过极端多愁善感的过度文学镜头来看待现实;她的孤独表现在对她身体的描绘上,被一种通奸的激情所消耗,这与她丈夫粗暴的身体形成鲜明对比;由于嫉妒,他最终会杀了她。
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