The Use of Scent Within the Changing Landscape of Theatre and Its Application to Long-Term Rehabilitation

Nicholas Saldivar, Thomas Varkey, B. J. Rafidi, Jack B. Ding, Taydan Tran, Kartik Akkihal
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Abstract

The intentional and unintentional use of scents have long been implemented in the arts. As an element of design, the use of fragrances may increase audience immersion by engaging the sense of smell through the olfactory receptors, in addition to becoming a tool for the performers. Since the COVID-19 pandemic began, most performing companies have been forced to shift the showcasing of work primarily online. Many of the subtle effects produced by both the cast and the design team that one may appreciate in-person are inevitably lost in virtual theatre, falling secondary to the screen. One potential solution for ensuring that digital productions can continue traditions of theatre while considering the safety of guests would be through the utilization of strategically crafted scents that support the performance’s story and the overall direction of the production. In virtual performances, the use of scent can be useful to ground both the audience and performers within the same world by linking the play to old memories or creating new ones. The paper finally looks at ways that this linkage can be utilized in longterm care facilities for the betterment of patients.
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剧院变化景观中气味的运用及其在长期康复中的应用
在艺术中有意无意地使用气味早已成为现实。作为一种设计元素,香水的使用除了成为表演者的工具外,还可以通过嗅觉感受器吸引观众的嗅觉,从而增加观众的沉浸感。自新冠肺炎疫情开始以来,大多数演出公司被迫将作品展示主要转移到网上。演员和设计团队制作的许多微妙效果,人们可能会亲自欣赏,但在虚拟剧院中不可避免地会消失,成为屏幕的次要因素。在考虑到观众安全的同时,确保数字制作能够延续剧院传统的一个潜在解决方案是,利用精心制作的气味来支持表演的故事和制作的总体方向。在虚拟表演中,通过将戏剧与旧的记忆联系起来或创造新的记忆,气味的使用可以帮助观众和表演者在同一个世界中扎根。本文最后着眼于这种联系可以在长期护理设施中用于改善患者的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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