Thread/Warp

Q3 Arts and Humanities Body, Space and Technology Pub Date : 2021-11-01 DOI:10.16995/bst.7969
J. L. Cruz, Blonski Campos Cruz
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引用次数: 1

Abstract

Thread/Warp was an online durational performance that investigated into the idea of stamina amidst our performance-obsessed, techno-contemporary world. Performed live on July 14 in a span of 12 hours via Zoom (and occasionally streamed via Facebook Live), Thread/Warp featured two performers in separate screen windows as they navigated the spectacle and exploitation of their bodies in two intersecting spaces: 1) the confines and confidentiality of their private domestic space(s); and 2) the expansive and exposing nature of the public space via their relationship with the video cameras.  Thread/Warp sought to explore what it meant to sustain energy, tenacity, resilience, and patience—especially in a climate wherein we are relentlessly expected to perform beyond what’s necessary; to tirelessly create infinite yet exhausted spectacles of both our physical and virtual bodies; and to constantly amplify our human stamina in order to brutally compete with the stamina of technology itself.  To put the concept into methodical exploration, this project utilized the concept of space as a crucial stimulus in conditioning one’s body to perform beyond what’s necessary. Specifically, the project took into account two spaces that had radically shaped our relationship with stamina —the private and the public—no longer as two distinct and separate entities, but rather as spheres that constantly intersect, overlap, blur, and at times even trade with one another. Firstly was the method on the private space, in which Thread/Warp examined the shifting conditions of the private domestic space—from a supposed place of rest and rejuvenation to a place of perpetual labor and recycled productions—and how these unprecedented  changes either deflate or escalate our stamina. Secondly was the method on public space, in which the project investigated how public exposure (via Zoom and Facebook Live) radically maneuvered our sense of stamina, and how this further warped and manipulated our relationship with rest, recuperation, production, performance, labor, and ultimately, individual purpose and meaning. By considering the interjections of the private and public space, the project explored how this further affected tremendous change in the dynamic, potency, and frailty in the performer’s body. 
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线程/经
Thread/Warp是一场在线持续表演,它探讨了在我们这个痴迷于表演的科技当代世界中,耐力的概念。《线/曲》于7月14日通过Zoom进行了为期12小时的现场表演(偶尔也会通过Facebook live进行直播),两名表演者在不同的屏幕窗口中,在两个相交的空间中探索自己身体的奇观和利用:1)私人家庭空间的限制和机密性;2)通过他们与摄像机的关系,公共空间的扩张性和暴露性。Thread/Warp试图探索维持能量、坚韧、弹性和耐心的意义——尤其是在一个我们被无情地期望超越必要的环境中;孜孜不倦地创造我们的物理和虚拟身体的无限而又疲惫的景象;不断增强我们人类的耐力,以便与技术本身的耐力进行残酷的竞争。为了将这个概念有条不紊地进行探索,这个项目利用空间的概念作为一个重要的刺激因素来调节一个人的身体,使其超越必要的行为。具体来说,该项目考虑了两个空间,它们从根本上塑造了我们与耐力的关系——私人空间和公共空间——不再是两个截然不同的独立实体,而是作为不断相交、重叠、模糊,有时甚至相互交易的领域。首先是私人空间的方法,《Thread/Warp》审视了私人家庭空间的变化条件——从一个假定的休息和恢复活力的地方到一个永久劳动和循环生产的地方——以及这些前所未有的变化是如何削弱或增强我们的耐力的。其次是公共空间的方法,该项目调查了公共曝光(通过Zoom和Facebook Live)如何从根本上操纵我们的耐力感,以及这如何进一步扭曲和操纵我们与休息、恢复、生产、表演、劳动以及最终个人目的和意义的关系。通过考虑私人和公共空间的感叹声,该项目探索了这如何进一步影响表演者身体的活力、力量和脆弱的巨大变化。
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来源期刊
Body, Space and Technology
Body, Space and Technology Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
0.60
自引率
0.00%
发文量
5
审稿时长
10 weeks
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