‘The correct name for the breadfruit’: on interdisciplinarity and the artist Sydney Parkinson's contested contributions to the botanical sciences

R. Fielding
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Abstract

Breadfruit is a tropical fruit-bearing tree native to Oceania and a staple food in the diets of many Pacific Islander communities. During the so-called Age of Discovery, several European voyages returned from the Pacific with descriptions of the region's flora, including breadfruit. Since that time, scientists have sometimes struggled to agree upon an adequate acknowledgement of those early descriptions in modern botany and taxonomy. This paper considers one such struggle: the centuries-long disagreement among botanists regarding the value of the botanical descriptions and illustrations of breadfruit, as well as the proposed scientific name for the species attributed to Sydney Parkinson, a young artist who sailed with Cook aboard HMS Endeavour during the late eighteenth century. While Parkinson's descriptions were thorough, it is suggested here that his contributions were neglected by later scientists, due mainly to his status as an artist and to an approach that today we would call interdisciplinary. This outcome can be viewed as indicative of the tension between the arts and the sciences that remains to this day and, I suggest, continues to hamper our understanding of the natural world.
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“面包果的正确名称”:关于跨学科和艺术家悉尼帕金森对植物科学的有争议的贡献
面包果是一种原产于大洋洲的热带果树,也是许多太平洋岛民饮食中的主食。在所谓的大航海时代,几次欧洲航海家从太平洋归来,带来了对该地区植物的描述,包括面包果。从那时起,科学家们有时很难就现代植物学和分类学中对这些早期描述的充分承认达成一致意见。这篇论文考虑了一个这样的斗争:植物学家之间关于面包果的植物学描述和插图的价值长达几个世纪的分歧,以及悉尼帕金森提出的物种学名,这位年轻的艺术家在18世纪后期与库克一起乘坐HMS奋进号航行。虽然帕金森氏症的描述是彻底的,但这里认为他的贡献被后来的科学家所忽视,主要是因为他的艺术家身份和我们今天称之为跨学科的方法。这一结果可以被视为艺术与科学之间的紧张关系的标志,这种紧张关系一直持续到今天,我认为,这种紧张关系继续阻碍着我们对自然世界的理解。
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