{"title":"Selfie-taking: a key semiotic practice within the ‘show of the self’","authors":"Sebastián Moreno","doi":"10.18680/hss.2018.0019","DOIUrl":null,"url":null,"abstract":"During the last couple of years, the action of taking selfies has emerged as a common everyday life practice, mainly among young people, but not limited to them. Selfie-taking is a meaningful practice that requires a semiotic analysis. In this paper I reflect on the semiotic character of selfie-taking, particularly by discussing its nature and a possible segmentation in smaller units. Moreover, I argue that in the current scenario of extended online exhibition that anthropologist Paula Sibilia calls ‘show of the self’, selfie-taking plays a key role as a way of making evident the presence of the ‘real’ offline author in the identity narrative that is being constructed online. Within the dynamics of online self-representation and in line with the idea that online identities are actively constructed, I discuss why selfies should be regarded as heterogeneous and semiotically complex devices, and particularly how they contribute to the creation of the online identity of its authors.","PeriodicalId":36248,"journal":{"name":"Punctum International Journal of Semiotics","volume":"2 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Punctum International Journal of Semiotics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18680/hss.2018.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 2
Abstract
During the last couple of years, the action of taking selfies has emerged as a common everyday life practice, mainly among young people, but not limited to them. Selfie-taking is a meaningful practice that requires a semiotic analysis. In this paper I reflect on the semiotic character of selfie-taking, particularly by discussing its nature and a possible segmentation in smaller units. Moreover, I argue that in the current scenario of extended online exhibition that anthropologist Paula Sibilia calls ‘show of the self’, selfie-taking plays a key role as a way of making evident the presence of the ‘real’ offline author in the identity narrative that is being constructed online. Within the dynamics of online self-representation and in line with the idea that online identities are actively constructed, I discuss why selfies should be regarded as heterogeneous and semiotically complex devices, and particularly how they contribute to the creation of the online identity of its authors.