Multiplatform storytelling: Are photojournalists taking advantage?

Estíbaliz García-Taboada, A. Larrondo-Ureta, Simón Peña-Fernández
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Abstract

With the expansion of connected devices (tablets, smartphones, etc.), a leap in multiplatform technologies is occurring, bringing about changes in many areas of the communications professions. In this context, values based on flexible, multiplatform, cooperative work that takes the audience into consideration are increasingly important. Professional photography coexists with — and is even rivaled by — images taken by citizens, which are often used by the mass media. For that reason the need is greater than ever for photographers and graphic professionals who, in one way or another, adapt to the new media Using a multiple case study method, this article examines the digital resources used by photographers who have won a World Press Photo Award. It studies the ways in which they exploit the medium, extending the photographic narrative beyond the website, to promote themselves and their personal brand. The results show photographers’ preference for unidirectional communication models and superimposed strategies that have limited engagement and viralisation. The acquisition of digital expertise by photojournalists is at an intermediary stage, since the cases analyzed reveal that these professionals’ web 2.0 activity is limited or underexploited.
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多平台叙事:摄影记者在利用优势吗?
随着连接设备(平板电脑、智能手机等)的扩展,多平台技术的飞跃正在发生,给通信行业的许多领域带来了变化。在这种背景下,基于灵活、多平台、合作的、考虑受众的工作价值观变得越来越重要。专业摄影与大众媒体经常使用的市民拍摄的照片共存,甚至相互竞争。因此,对摄影师和图形专业人士的需求比以往任何时候都要大,他们以这样或那样的方式适应新媒体。本文采用多案例研究方法,研究了获得世界新闻摄影奖的摄影师使用的数字资源。它研究了他们利用媒体的方式,将摄影叙事延伸到网站之外,以宣传自己和他们的个人品牌。结果显示,摄影师偏爱单向传播模式和有限的参与和病毒传播的叠加策略。摄影记者对数字专业知识的获取处于中间阶段,因为所分析的案例表明,这些专业人士的web 2.0活动是有限的或未充分利用的。
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审稿时长
16 weeks
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