The Maternal and Feminist Film Theory

IF 2 0 HUMANITIES, MULTIDISCIPLINARY Women-A Cultural Review Pub Date : 2022-01-02 DOI:10.1080/09574042.2022.2021027
Robin Blaetz
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引用次数: 0

Abstract

The intriguing title of Lauren Bliss’s first book suggests the confluence of two discourses that are rarely paired in film studies: [feminist] film theory and the maternal. The first is framed in this study as a system that offers essential observations about the place of representation in culture, but is in need of interrogation because of what is felt to be its detrimental effect on lived life. The final line of the introductory chapter states the book’s intention
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母亲主义与女性主义电影理论
劳伦·布利斯(Lauren Bliss)第一本书的有趣标题表明,电影研究中很少有两种话语的融合:[女权主义]电影理论和母性。在本研究中,第一种观点是作为一种系统,提供了关于代表性在文化中的地位的基本观察,但由于人们认为它对生活的有害影响,因此需要进行讯问。导论章的最后一行陈述了本书的意图
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来源期刊
Women-A Cultural Review
Women-A Cultural Review HUMANITIES, MULTIDISCIPLINARY-
自引率
9.10%
发文量
34
期刊最新文献
About Our Contributors Living with the Ancestors Feminist Depictions of Coercive Control in ‘Domestic Noir’: Ilsa Evans’s Broken (2007) and Kathryn Heyman’s Storm and Grace (2017) Colonized Brown Motherhood: Em and the Big Hoom, Imelda and Indian Mothering Introduction: Imagining and Reimagining Emotional Labour
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