Analysing the mythologies and the ideological nuances in photographic representation of COVID-19 containment in Kenya’s newspapers

IF 1 4区 文学 Q3 COMMUNICATION Journal of African Media Studies Pub Date : 2022-03-01 DOI:10.1386/jams_00068_1
Joseph N. Nyanoti
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引用次数: 1

Abstract

When the first death from Coronavirus disease (COVID-19) was reported in Kenya on 15 March 2020 the mainstream media seemed to play its role of sensitizing the public and giving coverage as the government enforced regulations to fight the pandemic. However, a critical observation indicated that the media were not doing much more than government propaganda. The focus of this study is to analyse the ideology that drives the Kenyan mainstream media. The research particularly focuses on the study of photographs that were published in Kenya’s two leading newspapers, the Daily Nation and The Standard, between 15 March and 30 April 2020, to decode the ideological meanings hidden in the photographs. This study is guided by these three research questions: how is the fight against COVID-19 photographically represented in Kenyan newspapers? What mythic meanings are embedded in these photographs? What ideological nuances can be read in these photographs? The analysis used Roland Barthes’s framework of semiotic analysis. Findings show that the photographs published in the two newspapers in the period of study support the dominant government ideology and promote gender and class inequality.
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分析肯尼亚报纸上关于COVID-19遏制的摄影表现中的神话和意识形态的细微差别
2020年3月15日,肯尼亚报告了首例冠状病毒病(COVID-19)死亡病例,随着政府执行抗击疫情的法规,主流媒体似乎发挥了提高公众认识和报道的作用。然而,一项批判性的观察表明,媒体所做的不过是政府的宣传。本研究的重点是分析驱动肯尼亚主流媒体的意识形态。该研究特别侧重于研究2020年3月15日至4月30日期间在肯尼亚两家主要报纸《每日国家报》和《标准报》上发表的照片,以破译照片中隐藏的意识形态含义。本研究以以下三个研究问题为指导:肯尼亚报纸如何以摄影方式呈现抗击COVID-19的斗争?这些照片中蕴含着什么样的神话意义?从这些照片中可以看出什么意识形态的细微差别?分析采用了罗兰·巴特的符号学分析框架。研究结果表明,两家报纸在研究期间刊登的照片支持了占主导地位的政府意识形态,助长了性别和阶级不平等。
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CiteScore
1.80
自引率
25.00%
发文量
21
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