Social media have expanded the opportunities for a more inclusive youth political participation (YPP) across the world. Previous studies on YPP have focused on how social media have influenced participation in elections, with scant attention given to the impact of the networked capacity of online political discourse on offline youth political participation. The generative capacity of Benkler’s Networked Public Square served as the framework, while mixed methods of QUAN + qual triangulation design was employed. The Lagos metropolis was stratified into Mainland and Island, with 505 copies of a questionnaire purposively administered to digitally competent Nigerian youth across the areas. In-depth interviews were conducted with twelve young political social media influencers. Results were thematically analysed, expressed in frequency counts and/or correlation analysis at p ≤ 0.05. The positive and significant relationship between Twitter use and offline YPP (r = 0.1) has great conceptual implications on the generative capacity of the networked public sphere.
{"title":"Political participation and the social media network of young Nigerians","authors":"N. Egbunike","doi":"10.1386/jams_00110_1","DOIUrl":"https://doi.org/10.1386/jams_00110_1","url":null,"abstract":"Social media have expanded the opportunities for a more inclusive youth political participation (YPP) across the world. Previous studies on YPP have focused on how social media have influenced participation in elections, with scant attention given to the impact of the networked capacity of online political discourse on offline youth political participation. The generative capacity of Benkler’s Networked Public Square served as the framework, while mixed methods of QUAN + qual triangulation design was employed. The Lagos metropolis was stratified into Mainland and Island, with 505 copies of a questionnaire purposively administered to digitally competent Nigerian youth across the areas. In-depth interviews were conducted with twelve young political social media influencers. Results were thematically analysed, expressed in frequency counts and/or correlation analysis at p ≤ 0.05. The positive and significant relationship between Twitter use and offline YPP (r = 0.1) has great conceptual implications on the generative capacity of the networked public sphere.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"90 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138965089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines how women in the Global South are (re)imagining, challenging and reconstructing gendered narratives through digital platforms and meaningful access through inclusive chatbots. While technologies have historically been biased in their design, creation and access, this article argues that technology and gender are mutually constitutive and draws from recent research and related literature intersecting gender, technology, power and language to discuss gendered narratives and agency of women as technology drivers in the Global South. The article further discusses gender obscurities and invisibilities in Global South media. It draws from examples of mobile technological innovations to illustrate how women in the Global South are appropriating social media and mobile technologies to create visibility through reframing and disrupting gender normativity. It discusses how despite technologies being Anglocentric and patriarchal, women are increasingly drivers of technologies even in cases where their labour remains hidden, such as the case of Kenyan women subjected to precarious working conditions to filter out harmful content from ChatGPT.
{"title":"Reconstructing gendered narratives through digital platforms and inclusive chatbots","authors":"L. L. Mukhongo","doi":"10.1386/jams_00112_1","DOIUrl":"https://doi.org/10.1386/jams_00112_1","url":null,"abstract":"This article examines how women in the Global South are (re)imagining, challenging and reconstructing gendered narratives through digital platforms and meaningful access through inclusive chatbots. While technologies have historically been biased in their design, creation and access, this article argues that technology and gender are mutually constitutive and draws from recent research and related literature intersecting gender, technology, power and language to discuss gendered narratives and agency of women as technology drivers in the Global South. The article further discusses gender obscurities and invisibilities in Global South media. It draws from examples of mobile technological innovations to illustrate how women in the Global South are appropriating social media and mobile technologies to create visibility through reframing and disrupting gender normativity. It discusses how despite technologies being Anglocentric and patriarchal, women are increasingly drivers of technologies even in cases where their labour remains hidden, such as the case of Kenyan women subjected to precarious working conditions to filter out harmful content from ChatGPT.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"25 ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139174015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Even though there are high and growing levels of penetration of mobile telephony in South Africa, there is little research into how mobiles are used in romantic relationships to ‘keep tabs’ on partners and inter alia into how those involved in such relationships may be attempting to achieve and maintain privacy. Using the relational dialectical framework, I study how surveillance and privacy related power dynamics are played out in romantic relationships of a selected undergraduate student cohort at a South African University ( n = 182). The dialectical framework provides the appropriate empirical lens for investigating how romantic partners deal with the need to stay both private and public in the wake of instant messaging application WhatsApp. The study sought to understand how adolescents in these romantic relationships deal with mobile privacy conflicts that are brought on by perpetual contact through WhatsApp. Through a quantitative survey, purposive sampling with a confidence level of 95 per cent and 5 per cent margin of error was utilized in selecting the respondents. Exploratory factor and regression analysis shows that rules for managing WhatsApp communication are important for romantic relationship well-being (SD = 1.434), albeit not necessarily linked to relational satisfaction.
{"title":"Playing by the rules: The management of WhatsApp surveillance among romantically involved mobile phone users at a South African University","authors":"Mthobeli Ngcongo","doi":"10.1386/jams_00107_1","DOIUrl":"https://doi.org/10.1386/jams_00107_1","url":null,"abstract":"Even though there are high and growing levels of penetration of mobile telephony in South Africa, there is little research into how mobiles are used in romantic relationships to ‘keep tabs’ on partners and inter alia into how those involved in such relationships may be attempting to achieve and maintain privacy. Using the relational dialectical framework, I study how surveillance and privacy related power dynamics are played out in romantic relationships of a selected undergraduate student cohort at a South African University ( n = 182). The dialectical framework provides the appropriate empirical lens for investigating how romantic partners deal with the need to stay both private and public in the wake of instant messaging application WhatsApp. The study sought to understand how adolescents in these romantic relationships deal with mobile privacy conflicts that are brought on by perpetual contact through WhatsApp. Through a quantitative survey, purposive sampling with a confidence level of 95 per cent and 5 per cent margin of error was utilized in selecting the respondents. Exploratory factor and regression analysis shows that rules for managing WhatsApp communication are important for romantic relationship well-being (SD = 1.434), albeit not necessarily linked to relational satisfaction.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136128980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
For sometime now, there has been a conversation among scholars about male hegemony in African popular music and how some women performers resist the established status quo. In joining the discourse in this article, I focus on the owigiri music of Diepreye Osi, a female bandleader among the Ịjọ of Nigeria’s Niger Delta region. With particular attention to the departments in the bands of that premier neo-traditional music in the Ịjọ community, including instrumentation, dancing and singing, I argue that Diepreye contests patriarchy in her musical ensemble. Data for the study was gathered from unstructured interviews of artists and non-artists, and observation of live performances.
{"title":"Upsetting the gender imbalance in African popular music: The example of Diepreye Osi of the Ịjọ (Ijaw) of Nigeria","authors":"Imomotimi Armstrong","doi":"10.1386/jams_00104_1","DOIUrl":"https://doi.org/10.1386/jams_00104_1","url":null,"abstract":"For sometime now, there has been a conversation among scholars about male hegemony in African popular music and how some women performers resist the established status quo. In joining the discourse in this article, I focus on the owigiri music of Diepreye Osi, a female bandleader among the Ịjọ of Nigeria’s Niger Delta region. With particular attention to the departments in the bands of that premier neo-traditional music in the Ịjọ community, including instrumentation, dancing and singing, I argue that Diepreye contests patriarchy in her musical ensemble. Data for the study was gathered from unstructured interviews of artists and non-artists, and observation of live performances.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135397292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores the use of popular music in political contestations and specifically how it has been appropriated in Zimbabwe to advance hegemonic and counter hegemonic narratives. The article draws from two popular musicians in Zimbabwe, Winky D and Jah Prayzah and their use of music as an unconventional journalism format to comment on political trajectories in Zimbabwe. We argue that the two musicians have polarizing or competing discourses that either dissident or support the establishment. Theoretically, we use Mano’s conceptual framework that views music as a journalism variant in contexts where mass media and opposition parties are weak. Methodologically, the study employs a multimodal approach and thematic analysis. The study concludes that Zimbabwe’s two popular youthful musicians have been engaging in cold-war like fights that mirror existential political battles between the Zimbabwe African National Union Patriotic Front party (ZANU-PF) led by Emmerson Mnangagwa and the then Movement for Democratic Change Alliance (MDC-A) party led by Nelson Chamisa. After the 2017 elections the MDC-A reconfigured itself and became the Citizen Coalition for Change (CCC).
{"title":"Popular music and political contestations in Zimbabwe: An analysis of Winky D’s and Jah Prayzah’s music","authors":"Trust Matsilele, M. Msimanga, L. Tshuma","doi":"10.1386/jams_00106_1","DOIUrl":"https://doi.org/10.1386/jams_00106_1","url":null,"abstract":"This article explores the use of popular music in political contestations and specifically how it has been appropriated in Zimbabwe to advance hegemonic and counter hegemonic narratives. The article draws from two popular musicians in Zimbabwe, Winky D and Jah Prayzah and their use of music as an unconventional journalism format to comment on political trajectories in Zimbabwe. We argue that the two musicians have polarizing or competing discourses that either dissident or support the establishment. Theoretically, we use Mano’s conceptual framework that views music as a journalism variant in contexts where mass media and opposition parties are weak. Methodologically, the study employs a multimodal approach and thematic analysis. The study concludes that Zimbabwe’s two popular youthful musicians have been engaging in cold-war like fights that mirror existential political battles between the Zimbabwe African National Union Patriotic Front party (ZANU-PF) led by Emmerson Mnangagwa and the then Movement for Democratic Change Alliance (MDC-A) party led by Nelson Chamisa. After the 2017 elections the MDC-A reconfigured itself and became the Citizen Coalition for Change (CCC).","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"87 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87727210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The move to constitutional rule and deregulation of media ushered Ghana into the milieu of media globalization. As such local television is experiencing a balancing act between national autonomy and international commitments. Given the limited empirical scrutiny of the progress of local television in the globalization milieu, this study examines the globalized and dynamic environment within which local television functions in Ghana. This study reveals an industry that is characterized by changing notions of culture and shifting policies that attempt to accommodate contemporary global commitments, while at the same time give support to culturally authentic and nationally relevant contents.
{"title":"Television in Ghana: History, policy, culture and prospects in a globalized media ecology","authors":"Ramatu Mustapha Dadzie","doi":"10.1386/jams_00105_1","DOIUrl":"https://doi.org/10.1386/jams_00105_1","url":null,"abstract":"The move to constitutional rule and deregulation of media ushered Ghana into the milieu of media globalization. As such local television is experiencing a balancing act between national autonomy and international commitments. Given the limited empirical scrutiny of the progress of local television in the globalization milieu, this study examines the globalized and dynamic environment within which local television functions in Ghana. This study reveals an industry that is characterized by changing notions of culture and shifting policies that attempt to accommodate contemporary global commitments, while at the same time give support to culturally authentic and nationally relevant contents.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"222 3 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86186328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Martin Arvad Nicolaisen, Casper Andersen, Phillip Stenmann Baun, Jonas Aryee, A. S. Hansen
Two different media platforms played a key role in keeping Tema Port in Ghana afloat during the period immediately leading up to and during the three-week COVID-19 pandemic-related lockdown in late March–April of 2020. The one media platform, Eye on Port, is a weekly broadcast television show by the port’s authorities, which caters primarily to external commercial stakeholders of the port. The other platform is a closed WhatsApp forum used by stakeholders working at the operational level of the port. Both platforms served specific needs among their users, who had been restricted in their mobility but had to keep the port operational. Combining ‘scalable sociality’ with the concept of polymedia, we identify how the two media functioned to meet the different informational and conversational needs of their respective users. We argue that either medium alone could not fulfil the communicative needs necessary to keep the port operational during the early stage of the COVID-19 pandemic.
在2020年3月下旬至4月期间，在与COVID-19大流行相关的为期三周的封锁期间，两个不同的媒体平台在维持加纳特马港的运营方面发挥了关键作用。唯一的媒体平台“眼观港口”(Eye on Port)是由港口当局每周播出的电视节目，主要面向港口的外部商业利益相关者。另一个平台是一个封闭的WhatsApp论坛，供港口运营层面的利益相关者使用。这两个平台都满足了用户的特定需求，这些用户的行动受到限制，但必须保持端口的运行。结合“可扩展社交”和多媒体的概念，我们确定了这两种媒体是如何满足各自用户不同的信息和对话需求的。我们认为，在COVID-19大流行的早期阶段，仅靠这两种媒体都无法满足保持港口运营所需的沟通需求。
{"title":"Keeping the Port of Tema afloat during COVID-19: Media responses to user informational and conversational needs","authors":"Martin Arvad Nicolaisen, Casper Andersen, Phillip Stenmann Baun, Jonas Aryee, A. S. Hansen","doi":"10.1386/jams_00108_1","DOIUrl":"https://doi.org/10.1386/jams_00108_1","url":null,"abstract":"Two different media platforms played a key role in keeping Tema Port in Ghana afloat during the period immediately leading up to and during the three-week COVID-19 pandemic-related lockdown in late March–April of 2020. The one media platform, Eye on Port, is a weekly broadcast television show by the port’s authorities, which caters primarily to external commercial stakeholders of the port. The other platform is a closed WhatsApp forum used by stakeholders working at the operational level of the port. Both platforms served specific needs among their users, who had been restricted in their mobility but had to keep the port operational. Combining ‘scalable sociality’ with the concept of polymedia, we identify how the two media functioned to meet the different informational and conversational needs of their respective users. We argue that either medium alone could not fulfil the communicative needs necessary to keep the port operational during the early stage of the COVID-19 pandemic.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"96 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89008728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study focused on identity formation and media consumption among first-generation young Africans in the diaspora. It investigated what it means to be African and the impact of multiple identities and forms of belonging within diasporic communities. Emphasis was on how they experience the diaspora as liminal spaces and subsequently negotiate relationships with other Africans in indeterminate diasporic spaces to construct, redefine, negotiate and even contest identities. Using snowballing and purposive sampling, the study analysed first-hand accounts and interviews informed by personal histories and lived experiences of (1) what they know about Africa; (2) their sense of belonging to Africa; (3) how Africa is represented in the media and (4) their views/attitudes on markers of African identity. Findings indicate that young Africans in the diaspora have a strong sense of belonging to Africa and are actively engaged with different forms of African media such as music and films.
{"title":"Young African diaspora: Global African narratives, media consumption and identity formation","authors":"L. L. Mukhongo, W. Mano, W. Chuma","doi":"10.1386/jams_00102_1","DOIUrl":"https://doi.org/10.1386/jams_00102_1","url":null,"abstract":"This study focused on identity formation and media consumption among first-generation young Africans in the diaspora. It investigated what it means to be African and the impact of multiple identities and forms of belonging within diasporic communities. Emphasis was on how they experience the diaspora as liminal spaces and subsequently negotiate relationships with other Africans in indeterminate diasporic spaces to construct, redefine, negotiate and even contest identities. Using snowballing and purposive sampling, the study analysed first-hand accounts and interviews informed by personal histories and lived experiences of (1) what they know about Africa; (2) their sense of belonging to Africa; (3) how Africa is represented in the media and (4) their views/attitudes on markers of African identity. Findings indicate that young Africans in the diaspora have a strong sense of belonging to Africa and are actively engaged with different forms of African media such as music and films.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"17 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86887133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Although some studies have previously indicated that the stereotypical western mainstream media narratives about Africa may be shifting, this Special Issue highlights the stickiness of the stereotypes, and some of the platforms on which they continue to be repeated. Some of these studies further show how African media are also responsible for ongoing circulation of the stereotypes. While the data are discouraging, there are pockets of hope on digital media (including social media), where women and youth are taking back the proverbial pen using storytelling and humour to show that Africa is neither monolithic, nor all doom and gloom. Even through the COVID-19 pandemic, Africans entertained the world with music, dancing and comedy, proving resilience and optimism, against Afro-pessimistic narratives.
{"title":"Beyond western Afro-pessimism: The African narrative in African and non-western countries","authors":"Rebecca Pointer","doi":"10.1386/jams_00097_2","DOIUrl":"https://doi.org/10.1386/jams_00097_2","url":null,"abstract":"Although some studies have previously indicated that the stereotypical western mainstream media narratives about Africa may be shifting, this Special Issue highlights the stickiness of the stereotypes, and some of the platforms on which they continue to be repeated. Some of these studies further show how African media are also responsible for ongoing circulation of the stereotypes. While the data are discouraging, there are pockets of hope on digital media (including social media), where women and youth are taking back the proverbial pen using storytelling and humour to show that Africa is neither monolithic, nor all doom and gloom. Even through the COVID-19 pandemic, Africans entertained the world with music, dancing and comedy, proving resilience and optimism, against Afro-pessimistic narratives.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"18 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82423266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyses how young African writers challenge stereotypes about the continent through their imagination of places in online short stories. These stories appear on the literary websites Brittle Paper, Jalada, Saraba, Flash Fiction Ghana, Adda and African Writer Magazine with a focus on cities and villages. Authored by ten writers from Ghana, Nigeria, Kenya, Malawi and Egypt, the stories contain elements of fiction that risk perpetuating negative stereotypes about Africa as they imagine their respective settings. However, textual analysis supported by an appreciation of context reveals how the writers use these stereotypes as basis to craft strong African narratives. By doing so, the writers emphasize the effect that places have on characters, theme, setting and the image of Africa. Ultimately, the roles that urban and rural spaces play in online fiction are multifaceted and enhance the African narrative in complex ways.
{"title":"Digital cities and villages: African writers and a sense of place in short online fiction","authors":"Kwabena Opoku-Agyemang","doi":"10.1386/jams_00101_1","DOIUrl":"https://doi.org/10.1386/jams_00101_1","url":null,"abstract":"This article analyses how young African writers challenge stereotypes about the continent through their imagination of places in online short stories. These stories appear on the literary websites Brittle Paper, Jalada, Saraba, Flash Fiction Ghana, Adda and African Writer Magazine with a focus on cities and villages. Authored by ten writers from Ghana, Nigeria, Kenya, Malawi and Egypt, the stories contain elements of fiction that risk perpetuating negative stereotypes about Africa as they imagine their respective settings. However, textual analysis supported by an appreciation of context reveals how the writers use these stereotypes as basis to craft strong African narratives. By doing so, the writers emphasize the effect that places have on characters, theme, setting and the image of Africa. Ultimately, the roles that urban and rural spaces play in online fiction are multifaceted and enhance the African narrative in complex ways.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"23 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79045721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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