Expanding repertoires of resistance

IF 0.8 4区 教育学 Q3 EDUCATION & EDUCATIONAL RESEARCH English Teaching-Practice and Critique Pub Date : 2019-06-03 DOI:10.1108/ETPC-11-2018-0114
K. Taylor, E. Taylor, Paul Hartman, Rebecca Woodard, Andrea Vaughan, Rick Coppola, Daniel J. Rocha, Emily Machado
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引用次数: 5

Abstract

PurposeThis paper aims to examine how a collaborative narrative inquiry focused on cultivating critical English Language Arts (ELA) pedagogies supported teacher agency, or “the capacity of actors to critically shape their own responsiveness to problematic situations” (Emirbayer and Mische, 1998, p. 971).Design/methodology/approachSituated in a semester-long inquiry group, eight k-16 educators used narrative inquiry processes (Clandinin, 1992) to write and collectively analyze (Ezzy, 2002) stories describing personal experiences that brought them to critical ELA pedagogies. They engaged in three levels of analysis across the eight narratives, including open coding, thematic identification, and identification of how the narrative inquiry impacted their classroom practices.FindingsAcross the narratives, the authors identify what aspects of the ELA reading, writing and languaging curriculum emerged as problematic; situate themselves in systems of oppression and privilege; and examine how processes of critical narrative inquiry contributed to their capacities to respond to these issues.Research limitations/implicationsCollaborative narrative inquiry between teachers and teacher educators (Sjostrom and McCoyne, 2017) can be a powerful method to cultivate critical pedagogies.Practical implicationsTeachers across grade levels, schools, disciplines and backgrounds can collectively organize to cultivate critical ELA pedagogies.Originality/valueAlthough coordinated opportunities to engage in critical inquiry work across k-16 contexts are rare, the authors believe that the knowledge, skills and confidence they gained through this professional inquiry sensitized them to oppressive curricular norms and expanded their repertoires of resistance.
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不断扩大的抵抗力
本文旨在研究以培养批判性英语语言艺术(ELA)教学法为重点的合作叙事探究如何支持教师代理,或“演员批判性地塑造自己对问题情境的反应的能力”(埃米尔拜尔和米舍,1998年,第971页)。设计/方法/方法在一个为期一个学期的调查小组中,8名k-16教育工作者使用叙事调查过程(Clandinin, 1992)来撰写和集体分析(Ezzy, 2002)描述个人经历的故事,这些故事将他们带到了关键的ELA教学法中。他们对八种叙事进行了三个层次的分析,包括开放编码、主题识别和识别叙事探究如何影响他们的课堂实践。通过叙述,作者确定了ELA阅读,写作和语言课程的哪些方面出现了问题;把自己置于压迫和特权的体系中;并研究批判性叙事探究的过程如何有助于他们应对这些问题的能力。教师和教师教育者之间的合作叙事探究(Sjostrom and McCoyne, 2017)可以成为培养批判性教学法的有力方法。实践意义跨年级、跨学校、跨学科、跨背景的教师可以共同组织起来,培养批判性的ELA教学法。原创性/价值虽然在k-16背景下参与批判性探究工作的协调机会很少,但作者认为,他们通过这种专业探究获得的知识、技能和信心使他们对压迫性的课程规范敏感,并扩大了他们的抵抗力。
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来源期刊
CiteScore
1.40
自引率
11.10%
发文量
32
期刊介绍: English Teaching: Practice and Critique seeks to promote research and theory related to English literacy that is grounded in a range of contexts: classrooms, schools and wider educational constituencies. The journal has as its main focus English teaching in L1 settings. Submissions focused on EFL will be considered only if they have clear pertinence to English literacy in L1 settings. It provides a place where authors from a range of backgrounds can identify matters of common concern and thereby foster broad professional communities and networks. Where possible, English Teaching: Practice and Critique encourages comparative approaches to topics and issues. The journal published three types of manuscripts: research articles, essays (theoretical papers, reviews, and responses), and teacher narratives. Often special issues of the journal focus on distinct topics; however, unthemed manuscript submissions are always welcome and published in most issues.
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