Potret dan Segmentasi Mad’u Dalam Perkembangan Media di Indonesia

Asna Istya Marwantika
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引用次数: 13

Abstract

This article discusses portrait and segmentation of mad'u / da'wah audience in the development of media in Indonesia. Using descriptive analysis and audience concept from Dennis McQuail it was found that da'wah activities are basically always segmented, where messages and patterns of da'wah will always try to be adapted to the context of the audience. Correspondingly, da'wah activities and movements have emerged and evolved in various forms mediated by the mass media (print, radio and television) which are linear in nature and categorize the medium as a passive audience, while preaching activities mediated by new media (digital ) non-linear nature categorizes the madness as an active audience. This active category of mad'u passive-mad'u also has consequences and challenges such as the adaptation of the format of da'wah in the media, the commodification of religion, the shift of religious authority (preachers), the exposure of radicalism, it produce hoaxes, and echo chambers namely echo space that contains the views of people who think the same and one taste so it does not produce a good dialogue.
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本文探讨印尼媒体发展过程中,mad'u / da'wah受众的刻画与分割。利用Dennis McQuail的描述性分析和受众概念,我们发现打华活动基本上都是分段的,打华的信息和模式总是试图适应受众的语境。相应地,以线性的大众媒体(印刷、广播和电视)为媒介的“打华”活动和运动以各种形式出现和发展,将媒介归类为被动受众,而以新媒体(数字)为媒介的“布道”活动则将疯狂归类为主动受众。这种主动的mad'u被动的mad'u也有后果和挑战,例如媒体对da'wah格式的适应,宗教的商品化,宗教权威(传教士)的转移,激进主义的暴露,它产生骗局,回声室即回声空间,即包含思想相同和品味相同的人的观点,因此无法产生良好的对话。
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