A case of mistaken identity: Concerning the photographic portrait of Vincent van Gogh, age thirteen

IF 0.1 2区 艺术学 0 ART OUD HOLLAND Pub Date : 2018-01-01 DOI:10.1163/18750176-1310304008
T. Meedendorp, Y. Vasseur
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Abstract

Oud Holland 2018 3/4 volume 131 1 John Peter Russell, Portrait of Vincent van Gogh, 1886, oil on canvas, 60.1 x 45.6 cm, Amsterdam, Van Gogh Museum (Vincent van Gogh Foundation), inv. s0273V/1962. What did Vincent van Gogh (1853-1890) actually look like? We have self-portraits dating back to his time in Paris, when he was already thirty-three, but these ‘selfijies’ do not always give a consistent impression of the person depicted. The painterly aspect proved more important to Van Gogh than a faithful likeness. All the same, there are certain constants: the ginger hair and beard, a high and slightly sloping forehead, and somewhat deep-set green eyes.1 Interestingly, Van Gogh’s contemporary Archibald Standish Hartrick felt that the most faithful resemblance was found not in one of the self-portraits, but in the portrait that John Peter Russell made of Van Gogh toward the end of 1886, in which he looks searchingly over his shoulder at the viewer (fijig. 1).2 TEIO MEEDENDORP & YVES VASSEUR
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一个认错人的案例:关于梵高十三岁时的照片肖像
乌德荷兰2018年3/4卷131 1约翰·彼得·罗素,文森特·梵高肖像,1886年,布面油画,60.1 x 45.6厘米,阿姆斯特丹,梵高博物馆(文森特·梵高基金会),编号0273v /1962。文森特·梵高(1853-1890)到底长什么样?我们有他在巴黎时的自画像,当时他已经33岁了,但这些“自拍照”并不总是给人留下一致的印象。事实证明,对梵高来说,绘画方面比忠实的肖像更重要。尽管如此,还是有一些不变之处:姜黄色的头发和胡子,高而微斜的前额,还有一双深陷的绿眼睛有趣的是,与梵高同时代的阿奇博尔德·斯坦迪什·哈特里克(Archibald Standish Hartrick)认为,最忠实的相似之处并不是在其中一幅自画像中,而是在约翰·彼得·罗素(John Peter Russell) 1886年底为梵高画的肖像画中,在这幅画中,梵高从肩膀上搜索地看着观众(图1)。1)。2这是我最喜欢的,我最喜欢的
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来源期刊
OUD HOLLAND
OUD HOLLAND Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
33.30%
发文量
7
期刊介绍: The periodical Oud Holland is the oldest surviving art-historical periodical in the world. Founded by A.D. de Vries and N. der Roever in 1883, it has appeared virtually without interruption ever since. It is entirely devoted to the visual arts in the Netherlands up to the mid-nineteenth century and has featured thousands of scholarly articles by Dutch and foreign authors, including numerous pioneering art-historical studies. Almost from the magazine’s inception, the publication of archival information concerning Dutch artists has played an important role. From 1885 to his death in 1946, the renowned art historian Dr. Abraham Bredius set a standard of excellence for Oud Holland.
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