{"title":"NUEVOS ENFOQUES TEÓRICOS PARA EL ESTUDIO DE LA POESÍA LÍRICA","authors":"I. G. Gil","doi":"10.5944/signa.vol29.2020.23400","DOIUrl":null,"url":null,"abstract":"Abstract: This paper examines two recent and opposite models for the study of the lyric genre: mimetic-narratological and performative, two important contributions of international literary criticism to the field. Nevertheless, they have had scarcely any repercussions in Spanish literary theory. First, we focus on the narratological applications to the study of poetic and lyric texts. Second, we address Jonathan Culler’s theoretical proposal developed in his book Theory of the Lyric, in which he rejects the assimilation of lyric poetry to the model of narrative fiction, and he proposes instead to investigate its singularity, not imitative but performative.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signa-Revista de la Asociacion Espanola de Semiotica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/signa.vol29.2020.23400","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract: This paper examines two recent and opposite models for the study of the lyric genre: mimetic-narratological and performative, two important contributions of international literary criticism to the field. Nevertheless, they have had scarcely any repercussions in Spanish literary theory. First, we focus on the narratological applications to the study of poetic and lyric texts. Second, we address Jonathan Culler’s theoretical proposal developed in his book Theory of the Lyric, in which he rejects the assimilation of lyric poetry to the model of narrative fiction, and he proposes instead to investigate its singularity, not imitative but performative.