José Herrando resucitado… ¿otra vez? Historia de una “recuperación”

IF 0.3 3区艺术学 0 MUSIC Resonancias Pub Date : 2019-06-01 DOI:10.7764/RES.2019.44.3

A. Lombardía

{"title":"José Herrando resucitado… ¿otra vez? Historia de una “recuperación”","authors":"A. Lombardía","doi":"10.7764/RES.2019.44.3","DOIUrl":null,"url":null,"abstract":"The sonatas for violin and accompaniment by José Herrando (Valencia, ca. 1720–Madrid, 1763) have undergone various transformations since the 1920s, reflecting a process of continuous ‘re-creation’ that illustrates the latest notions of ‘musical work’. Changes in performance practice, especially the emergence of Historically Informed Perfomance since the 80s, have given rise to several waves of revival for Herrando’s music, from different perspectives. In this process, key figures of Hispanic musicology and ‘early music’ have participated, including José Subirá, Joaquín Nin, and Emilio Moreno, together with less remembered musicians, such as Josefina Salvador. This process is still ongoing, as shown by recent performances by Fabio Biondi, the finalists of the Francesco Maria Ruspoli Competition, or Concerto 1700. 1. Esta investigación ha sido realizada en el marco del proyecto I+D Musicología aplicada al concierto clásico en España (ref. HAR2014-53143-P) y con apoyo de una ayuda Juan de la Cierva Formación (ref. FJCI-2015-26902), ambos financiados por el Ministerio de Economía y Competitividad de España. 37 Fecha de recepción: 22-01-2019 / Fecha de aceptación: 11-03-2019 Resonancias vol . 23, n°44, enerojunio 2019, pp. 37-68 / Art ículos","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"43 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Resonancias","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7764/RES.2019.44.3","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}

引用次数: 0

Abstract

The sonatas for violin and accompaniment by José Herrando (Valencia, ca. 1720–Madrid, 1763) have undergone various transformations since the 1920s, reflecting a process of continuous ‘re-creation’ that illustrates the latest notions of ‘musical work’. Changes in performance practice, especially the emergence of Historically Informed Perfomance since the 80s, have given rise to several waves of revival for Herrando’s music, from different perspectives. In this process, key figures of Hispanic musicology and ‘early music’ have participated, including José Subirá, Joaquín Nin, and Emilio Moreno, together with less remembered musicians, such as Josefina Salvador. This process is still ongoing, as shown by recent performances by Fabio Biondi, the finalists of the Francesco Maria Ruspoli Competition, or Concerto 1700. 1. Esta investigación ha sido realizada en el marco del proyecto I+D Musicología aplicada al concierto clásico en España (ref. HAR2014-53143-P) y con apoyo de una ayuda Juan de la Cierva Formación (ref. FJCI-2015-26902), ambos financiados por el Ministerio de Economía y Competitividad de España. 37 Fecha de recepción: 22-01-2019 / Fecha de aceptación: 11-03-2019 Resonancias vol . 23, n°44, enerojunio 2019, pp. 37-68 / Art ículos

查看原文

微信好友朋友圈 QQ好友复制链接

本刊更多论文

jose Herrando又复活了?“复苏”的历史

自20世纪20年代以来，jos Herrando(瓦伦西亚，ca. 1720 -马德里，1763)的小提琴奏鸣曲和伴奏经历了各种各样的转变，反映了一个持续“再创造”的过程，说明了“音乐作品”的最新概念。演奏实践的变化，特别是80年代以来历史知识演奏的出现，从不同的角度为Herrando的音乐带来了几波复兴。在这个过程中，西班牙音乐学和“早期音乐”的关键人物参与其中，包括joss subir， Joaquín Nin和Emilio Moreno，以及鲜为人知的音乐家，如Josefina Salvador。这一过程仍在进行中，最近法比奥·比昂迪的表演就证明了这一点，他是弗朗西斯科·玛丽亚·鲁斯波利比赛的决赛选手，或1700协奏曲。1. Esta investigación ha sido realizada en el marco del project I+D Musicología applicicada al concierto clásico en España (ref. HAR2014-53143-P) y con apoyo de una ayuda Juan de la Cierva Formación (ref. FJCI-2015-26902)， ambos financiados por el Ministerio de Economía y competitivad de España。37 Fecha de recepción: 22-01-2019 / Fecha de aceptación: 11-03-2019《中国科学》，2019,pp. 37-68 / Art ículos

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文去求助

来源期刊

Resonancias MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Resonancias focuses mainly on the publication of original research articles that constitute a contribution to knowledge in the field of music studies, which is understood in a broad sense, ranging from musicology and ethnomusicology to other disciplines that inform and intersect them, including but not limited to history, sociology, anthropology, psychology, cognitive sciences, education, cultural studies and other areas of scientific and technological research. The journal, although open to submissions about any and all geographic areas, is particularly interested in research on Ibero-America (Latin America and the Iberian Peninsula). In addition, Resonancias features album and book reviews, as well as a documents section for other types of texts, such as essays, interviews and transcriptions of relevant sources.