Living Death: Imagined History and the Tarrant Manifesto

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Emotions-History Culture Society Pub Date : 2021-07-13 DOI:10.1163/2208522X-02010112
M. Harwood
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引用次数: 1

Abstract

This essay analyses the manifesto of terrorist Brenton Tarrant, the perpetrator of the 2019 Christchurch mosque shootings. Reading Tarrant’s manifesto (The Great Replacement) as a cultural artefact of digital white nationalism, it is possible to identify a specific worldview and emotional subjectivity that is also shared with the actions and writing of Anders Breivik, the perpetrator of the 2011 Oslo and Utøya massacre. After examining both terrorists’ manifestos, their biographical particulars and drawing from ethnographic research into the online communities that Tarrant frequented, a shared phenomenological framework emerges. This framework is presented as ‘the imagined past and present’ of the Replacement Theory terrorist. This essay will address these white nationalist imaginings via a cultural exegesis of Tarrant’s and Breivik’s manifestos, as well as an analysis of their comparable monastic aesthetic or ‘living death’ in the lead up to their attacks.
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《活死:想象的历史与塔兰特宣言
本文分析了恐怖分子Brenton Tarrant的宣言,他是2019年克赖斯特彻奇清真寺枪击案的肇事者。将塔兰特的宣言(《伟大的替代》)视为数字白人民族主义的文化产物,我们有可能识别出一种特定的世界观和情感主观性,这种主观性也与2011年奥斯陆和乌特亚大屠杀的实施者安德斯·布雷维克(Anders Breivik)的行为和写作相同。在研究了这两位恐怖分子的宣言、他们的传记细节,并从塔兰特经常光顾的在线社区的人种学研究中汲取灵感后,一个共同的现象学框架出现了。这个框架被呈现为替代理论恐怖分子的“想象的过去和现在”。本文将通过对塔兰特和布雷维克宣言的文化解读,以及对他们类似的修道院美学或导致他们攻击的“活死人”的分析,来解决这些白人民族主义的想象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Emotions-History Culture Society
Emotions-History Culture Society HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
3
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