Esther, Drag, and Agency: Gender, Ethnicity, Power, and Queer Time in the Book of Esther and its Jewish Interpretations

Q2 Arts and Humanities Hebrew Studies Pub Date : 2022-12-07 DOI:10.1353/hbr.2022.0005
Caryn Tamber-Rosenau
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Abstract

Abstract:The character of Esther in the biblical book named for her is often read in scholarship as passive, overshadowed by her relative Mordechai, merely complying with his directives. This essay uses queer-theoretical vocabularies of drag and passing to allow for a different reading of Esther, one in which she acts intentionally and at great personal risk to save herself and her people. I examine the Hebrew Masoretic text of Esther, as well as early Jewish interpretations of the story, for clues about Esther's ethnic and sexual passing. In addition to arguing that Esther the character engages in drag and passing, I contend that Esther the book does temporal drag, playing with notions of time to make an important argument about how Jewish history works. While acknowledging that the book was almost certainly written to legitimate nationalist counter-reading strategies can produce more liberatory understandings.
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以斯帖,变装和代理:以斯帖记中的性别,种族,权力和酷儿时间及其犹太人的解释
摘要:在以以斯帖命名的圣经书中,以斯帖的性格在学术上经常被认为是被动的,被她的亲戚末底改所掩盖,只是服从他的指示。这篇文章使用了酷儿理论的词汇,比如拖拽和传递,以允许对以斯帖的不同解读,在以斯帖中,她故意采取行动,冒着巨大的个人风险来拯救自己和她的人民。我研究了以斯帖的希伯来马所拉文本,以及早期犹太人对这个故事的解释,以寻找以斯帖的种族和性行为的线索。除了认为《以斯帖》这个角色是拖沓的,我认为《以斯帖》这本书也是拖沓的,玩弄时间的概念,对犹太历史的运作进行了重要的论证。虽然承认这本书几乎肯定是为合法的民族主义者而写的,但反阅读策略可以产生更自由的理解。
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Hebrew Studies
Hebrew Studies Arts and Humanities-Literature and Literary Theory
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