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Image, Word, Land 图像、文字、土地
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912661
Shai Ginsburg
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引用次数: 0
Our New Literature – Continuation or Revolution? 我们的新文学--延续还是革命?
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912663
Philip Hollander
of Hebrew literature in the Russian Empire. Transcending the pragmatic definition of value, both artistically and philosophically, the poet’s primary concern became not what was useful but rather what was beautiful and meaningful to the human experience, as expressed through the eyes of the Hebrew writer, (Zilbergerts, 124).
俄罗斯帝国的希伯来文学。诗人超越了实用主义的价值定义,无论是在艺术上还是在哲学上,诗人主要关注的不是有用的东西,而是通过希伯来作家的眼睛所表达的美好的、对人类经验有意义的东西,(Zilbergerts, 124)。
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引用次数: 0
Unrolling the Scroll, Revealing God: Esther Scrolls as Symbols and Ritual Objects 展开卷轴,揭示上帝:作为象征和仪式物品的以斯帖卷轴
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912650
Jonathan Homrighausen
Abstract:Like the Torah scroll, the Esther scroll in Jewish life serves as not only a technology of text, but a symbolically charged ritual object for the liturgical theater of Purim ritual. This paper argues that in late antique Purim liturgy, the symbolic act of unrolling the scroll for the megillah reading hints at God's presence in the Book of Esther itself. Three clusters of evidence support this thesis. First, rabbinic texts describing liturgy assign symbolic value to the act of unrolling and rolling up scrolls. Second, the rabbis' choice to call Esther a 'megillah' allows them to midrashically conflate the megillat Esther with heavenly books described in Ezekiel, Malachi, Zechariah, and Jeremiah, thus making Esther into a book of life or book of fate. Third, synagogue liturgy connects the megillah with pivotal moments of writing, reading, and unveiling in the Book of Esther itself. The act of unrolling and reading the Book of Esther at Purim thus ritualizes a deeper metaphor: unrolling the scroll is unveiling God's hidden presence.
摘要:与《圣经》卷轴一样,以斯帖记卷轴在犹太人的生活中不仅是一种文本技术,还是普珥节礼仪剧场中具有象征意义的仪式物品。本文认为,在古代晚期的普珥节礼仪中,揭开卷轴朗读《以斯帖记》的象征性行为暗示了上帝在《以斯帖记》中的存在。有三组证据支持这一论点。首先,描述礼仪的拉比文本赋予展开和卷起书卷这一行为以象征意义。其次,拉比选择将以斯帖称为 "megillah",这使他们可以通过米德拉士(midrash)将以斯帖 "megillat Esther "与《以西结书》、《玛拉基书》、《撒迦利亚书》和《耶利米书》中描述的天书混为一谈,从而使以斯帖成为生命之书或命运之书。第三,会堂礼仪将《以斯帖记》与《以斯帖记》本身的写作、阅读和揭幕等关键时刻联系起来。因此,在普珥节展开和阅读《以斯帖记》的行为体现了一个更深层次的隐喻:展开书卷就是揭开上帝隐藏的存在。
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引用次数: 0
Parallelism in Hebrew Poetry: Grammatical Structure and Poetic Discourse 希伯来诗歌中的平行关系:语法结构与诗歌话语
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912658
M. Ayars
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引用次数: 0
"I Want to Live in an in-Between Jerusalem": Poetics as Ethical Imperative "我想生活在夹缝中的耶路撒冷":作为伦理要求的诗学
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912662
Karen Grumberg
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引用次数: 0
Standard Deviation: Variation in Translation of a Formulaic Biblical Text 标准偏差:公式化圣经文本的翻译差异
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912666
Hananel Shapira
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引用次数: 0
Parchment Skins and Human Skins: Some Thoughts on the Permeability of Text and Material Environment in Late Antique Jewish Reading Cultures 羊皮纸和人皮:关于晚期古代犹太阅读文化中文本与物质环境渗透性的一些思考
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912648
R. Wollenberg
Abstract:Late antique rabbinic Judaism famously left no manuscript traces. Without material evidence regarding early rabbinic practices of reading and writing, scholars have struggled to close the theoretical gap between the physical remnants of epigraphic and ritual writing from Jewish communities in this period and the portraits of reading and writing preserved in medieval manuscripts of late antique rabbinic literature. Yet, Karen Stern has observed that virtually all of the methods adopted to date ultimately privilege rabbinic writings by treating them as the hermeneutical frame through which the material evidence is interpreted. This article asks if we can reverse that hermeneutic hierarchy by (re)reading the literary tradition in light of the insights brought to us by the traces of material writing from the period. As a case study, this article takes the material evidence that visitors to the Dura Europos synagogue engaged with the prepared pictorial texts and architectural spaces of the synagogue in deeply interactive ways – rubbing and touching images and even emending and adding their own words and images to those in the prepared environment. When we reconsider early rabbinic traditions in light of this popular interactive disposition towards text and image, it emerges that many early rabbinic thinkers likewise approached written and pictorial texts as inherently contingent products that invited the continued intervention of other human hands. Moreover, one discovers that many rabbinic texts theorized this interactive relationship as a manifestation of a fundamental continuity and permeability between text and the material world.
摘要:古代犹太教拉比晚期没有留下任何手稿痕迹。由于没有关于早期拉比读写实践的物证,学者们一直在努力弥合这一时期犹太社区书写和仪式书写的实物遗迹与中世纪晚期拉比文学手稿中保存的读写肖像之间的理论鸿沟。然而,凯伦-斯特恩(Karen Stern)指出,迄今为止所采用的几乎所有方法最终都将拉比著作视为诠释物证的框架,从而使其享有特权。本文提出的问题是,我们是否可以通过(重新)解读文学传统来扭转这种诠释学的等级制度,因为当时的物质写作痕迹给我们带来了深刻的启示。作为一项案例研究,本文以杜拉-欧罗普斯会堂的参观者以深度互动的方式参与准备好的图像文本和会堂建筑空间的物质证据为研究对象--摩擦和触摸图像,甚至在准备好的环境中修改和添加他们自己的文字和图像。当我们根据这种对文字和图像的流行互动倾向重新审视早期拉比传统时,我们会发现,许多早期拉比思想家同样将文字和图像文本视为固有的偶然产物,需要其他人的双手不断介入。此外,我们还发现,许多拉比文本将这种互动关系理论化为文本与物质世界之间基本的连续性和渗透性的体现。
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引用次数: 0
The Words of the Righteous: The Death of Text and the Eternity of Stone 正义之言文字的死亡与石头的永恒
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912649
Daniel Picus
Abstract:This essay examines examples of the Oral Torah as a concrete, material phenomenon in late ancient rabbinic sources. The oral nature of oral Torah, both as an ideology and as a description of rabbinic textual practices, can elide some of the more evocative discussions of the nature of oral Torah. Previous discussions, such as Wollenberg (2019), have shown that the nature of the written Torah was often understood as unstable, changing, and mutable. This essay explores the other side of that equation, exploring discussions of oral Text as concrete, enduring, and unchanging. Two main examples are studied: the first from a passage in the Palestinian Talmud, and the second in a passage from the Babylonian Talmud. The Palestinian Talmud draws a dense network of connections between Torah scrolls, oral teachings, rabbinic sages, and the imagery of death and memorialization. The Babylonian Talmud similarly extends the value of rabbinic oral teaching into the World to Come, showing that while the associations between teaching, death, and eternal life manifest differently, they are still present in different rabbinic contexts. Taken together, these inscriptions of a concrete and material Oral Torah are fully realized in the body of the rabbinic sage. Other scholars have also shown that rabbinic sages become an embodiment of Torah: this essay examines the nature of rabbinic Torah, as discussed in rabbinic literature, to understand how that embodiment comes about.
摘要:这篇文章探讨了古代晚期拉比文献中口头托拉作为一种具体的物质现象的例子。口头托拉的口头性质,既是一种意识形态,也是对拉比文本实践的描述,它可能会掩盖一些关于口头托拉性质的更令人回味的讨论。沃伦伯格(Wollenberg,2019 年)等人之前的讨论表明,书面《托拉》的性质通常被理解为不稳定、多变和易变的。这篇文章探讨了这一等式的另一面,探讨了将口头文本视为具体、持久和不变的讨论。本文主要研究两个例子:第一个例子来自《巴勒斯坦塔木德经》中的一段经文,第二个例子来自《巴比伦塔木德经》中的一段经文。巴勒斯坦塔木德经》在《托拉》经卷、口头教诲、拉比圣人以及死亡和纪念意象之间建立了一个密集的联系网络。巴比伦塔木德》同样将拉比口头教诲的价值延伸到了来世,表明虽然教诲、死亡和永生之间的联系表现形式不同,但它们仍然存在于不同的拉比背景中。总之,这些具体而物质的口头托拉铭文在拉比圣人的身上得到了充分的体现。其他学者也指出,拉比圣人是《托拉》的化身:本文通过研究拉比文献中讨论的拉比《托拉》的性质,来了解这种化身是如何产生的。
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引用次数: 0
Power and Praxis: Writing and Performance in Megillat Ahimaatz 权力与实践:Megillat Ahimaatz》中的写作与表演
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912652
Laura Suzanne Lieber
Abstract:In this essay, the text of Megillat Ahimaatz offers a window into compositional conventions, particularly around liturgy, as well as understandings of writing at a pivotal moment, and in a pivotal location: southern Italy (Apulia) in during the 9th–11th centuries. Both writing technologies and ritual performances (liturgical and magical) occupy prominent places in Megillat Ahimaatz, and the text seems to reflect a moment of great cognizance concerning the significance of writing and performative power and praxis, particularly among Jews but also in other communities, as well, as viewed through Jewish eyes. In this essay, I will (1) outline the text's general interest in writing, writers, performers, and performance, after which I will (2) present the specific varieties of writing and performance that occur in Megillat Ahimaatz. Finally, I will (3) examine the scroll's specific vocabulary for writing (texts and practices) and similarly, I will consider the way liturgical performance is described. These elements – narrative and lexical – when read together offer a window into at least one writer's understanding of his tradition at a pivotal crossroads in Jewish literary and liturgical history.
摘要:在这篇文章中,《Megillat Ahimaatz》的文本为我们提供了一个窗口,让我们了解在一个关键时刻和一个关键地点(9-11 世纪意大利南部(阿普利亚))的创作惯例,特别是围绕礼仪的创作惯例,以及对写作的理解。书写技术和仪式表演(礼仪和魔法)在《艾希玛兹》(Megillat Ahimaatz)中都占据了重要位置,该文本似乎反映了当时人们对书写、表演权力和实践的重要性的深刻认识,尤其是在犹太人中间,但也包括通过犹太人的视角看待的其他社区。在本文中,我将(1)概述文本对写作、作家、表演者和表演的总体兴趣,然后(2)介绍《阿希玛兹》中出现的写作和表演的具体种类。最后,我将(3)研究卷轴中有关写作的特定词汇(文本和实践),同样,我还将考虑描述礼仪表演的方式。这些元素--叙事和词汇--结合在一起阅读时,至少为我们提供了一个窗口,让我们了解一位作家在犹太文学史和礼仪史的关键十字路口对其传统的理解。
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引用次数: 0
Structure as a Clue to Rhetoric: Discourse Analysis of Psalm 89:1–53 结构是修辞的线索:诗篇 89:1-53 的话语分析
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912653
Robert Coleman
Abstract:Fresh analysis of familiar texts has the potential to yield intriguing results. Discourse analysis of Psalm 89 serves as a case in point. Since few scholars have analyzed Psalm 89 using discourse analysis, this article aims to fill a gap in the literature on Psalm 89 by closely analyzing the discourse structure of the final form of the Hebrew text. Moreover, based on the discourse analysis, this article draws attention to the movements of the psalm and to the neglected role of Psalm 89:53 in the rhetoric of the final form of the psalm. The structure of the final form of Psalm 89 suggests that YHWH deserves praise despite his apparent violation of the Davidic covenant.
摘要:对熟悉的文本进行新的分析有可能产生耐人寻味的结果。对《诗篇》第 89 篇的话语分析就是一个很好的例子。由于很少有学者使用话语分析的方法来分析《诗篇》第89篇,本文旨在通过仔细分析希伯来文本最终形式的话语结构,填补有关《诗篇》第89篇的文献空白。此外,在语篇分析的基础上,本文提请注意诗篇的动向,以及诗篇 89:53 在诗篇定本修辞中被忽视的作用。诗篇第 89 篇最后形式的结构表明,尽管耶和华明显违反了大卫之约,但他仍值得赞美。
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Hebrew Studies
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