Because It Was Never Just Words

IF 0.4 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Departures in Critical Qualitative Research Pub Date : 2023-01-01 DOI:10.1525/dcqr.2023.12.2.73
S. Nordstrom
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引用次数: 1

Abstract

This poem, written after my writing was plagiarized, heeds Bowers’s (1994) call to use language, rather than silence, to express the emotions associated with the plagiarism of my work. I write how the act of plagiarism cut into my core and created a wound. That wound opened a space to see how, like Bowers (1997), my writing and creative process are deeply personal. They are inquiry (Richardson & St. Pierre, 2018). And they matter more than I ever knew. They are a life. A life that is healed with the writing of this poem. The poem and brief methodological note that follow it aim to open conversations about plagiarism in the qualitative inquiry literature.
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因为它从来不只是言语
这首诗是在我的作品被抄袭后写的,它顺应了鲍尔斯(1994)的号召,用语言而不是沉默来表达与我的作品被抄袭有关的情感。我写了剽窃行为是如何刺伤我的心,并造成了一个伤口。这个伤口打开了一个空间,让我看到,像鲍尔斯(1997)一样,我的写作和创作过程是多么的个人化。他们是调查(理查德森和圣皮埃尔,2018)。他们比我想象的更重要。他们是一个生命。这首诗治愈了我的生命。这首诗和简短的方法论说明,遵循它的目的是打开对话关于剽窃在定性调查文献。
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来源期刊
Departures in Critical Qualitative Research
Departures in Critical Qualitative Research Arts and Humanities-Language and Linguistics
CiteScore
0.80
自引率
0.00%
发文量
14
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