El Generalife y las ruinas árabes de sus contornos. Un capítulo inédito de los Nuevos Paseos de Simón de Argote

IF 0.4 4区 哲学 Q1 HISTORY AL-QANTARA Pub Date : 2014-06-30 DOI:10.3989/ALQANTARA.2014.002
Juan Manuel Barrios Rozúa
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引用次数: 1

Abstract

Simon de Argote’s Nuevos paseos (1806-1807) is one of the most remarkable works written on the Alhambra. It offers an Enlightenment response to the distortions of the Roman past of Granada of the cleric and Arabist Velazquez de Echeverria. Unfortunately, the work was unfinished because it did not cover all the “Arabian antiques” located outside the Nasrid city. In this article, an unknown chapter about the Generalife and the ruins around is presented, accompanied with critical notes. It was given by the author to King Joseph Bonaparte during his stay in Granada and it was kept among the papers the king had lost at the Battle of Vitoria. The study of the documents found in different archives and publications of that time sheds some light on the mysterious personality of Simon de Argote and deepens in the knowledge of his relationship with General Horace Sebastiani, a military who was embassador in Istanbul and other cities of the Middle East under Napoleon’s order, before he ruled the Kingdom of Granada.
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Generalife和它周围的阿拉伯废墟。西蒙·德·阿尔戈特的新游乐设施中未出版的一章
西蒙·德·阿尔戈特的《新激情》(1806-1807)是阿尔罕布拉宫最杰出的作品之一。它提供了启蒙运动对格拉纳达罗马历史的扭曲的回应牧师和阿拉伯主义者委拉斯开兹·德·埃切维里亚。不幸的是,这项工作没有完成,因为它没有涵盖位于纳斯里德城外的所有“阿拉伯古董”。在这篇文章中,一个不为人知的章节是关于generife和周围的废墟,并附有批评意见。这是作者在格拉纳达逗留期间送给约瑟夫·波拿巴国王的,它被保存在国王在维多利亚战役中丢失的文件中。对在当时不同档案和出版物中发现的文件的研究,揭示了西蒙·德·阿尔戈特的神秘性格,并加深了他与霍勒斯·塞巴斯蒂亚尼将军的关系。塞巴斯蒂亚尼将军是一名军官,在拿破仑统治格拉纳达王国之前,曾在拿破仑的命令下担任伊斯坦布尔和中东其他城市的大使。
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来源期刊
AL-QANTARA
AL-QANTARA Multiple-
CiteScore
0.50
自引率
0.00%
发文量
16
审稿时长
48 weeks
期刊介绍: Al-Qanṭara inició su publicación en 1980, como continuación de Al-Andalus (1933-1978). Al-Qanṭara está dedicada a la civilización del Islam clásico (hasta el siglo XVII incluido) con especial atención al Occidente islámico. Se publica en forma de dos fascículos anuales de unas 250 páginas cada uno. Una sección monográfica aparece en el segundo fascículo de cada año. La revista sólo solicita contribuciones para las secciones monográficas.
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