Hayden White and the Burden of History

A. Subramani
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Abstract

In his essays “The Burden of History” (1966), “Interpretation in History” (1972), “The Historical Text as Literary Artefact” (1974), “The Value of Narrativity in the Representation of Reality” (1980) and “Getting Out of History” (1982), Hayden White discusses the main tenets of his theory of historiography, narrativity and, inevitably, the relationship between the history and literature. In the essays, White argues for a common constructivist character of history and fiction, and rejects the Rankean notion of a ‘science of history’. Drawing support from the historiographical and literary theories of Claude Lévi-Strauss, R. G. Collingwood and Northrop Frye, White suggests historians must acknowledge history’s basis in the literary arts and treat the historical text as a literary artefact in order for the discipline to regain the prestige that it enjoyed in the early nineteenth century. The kind of eclectic history that White advocates is found in Klaus Neumann’s Not the Way it Really Was, a text that itself rejects a positivist view of history.
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海登·怀特和历史的重担
在《历史的负担》(1966)、《历史中的阐释》(1972)、《作为文学人工制品的历史文本》(1974)、《叙事性在现实再现中的价值》(1980)和《走出历史》(1982)中,海登·怀特论述了他的史学理论、叙事性以及不可避免的历史与文学之间的关系的主要原则。在这些文章中,怀特主张历史和小说具有共同的建构主义特征,并拒绝了“历史科学”的Rankean概念。在历史学和文学理论的支持下,Claude l -斯特劳斯,r·g·科林伍德和诺斯罗普·弗莱,怀特建议历史学家必须承认历史在文学艺术中的基础,并将历史文本视为文学的人工制品,以便使这门学科重新获得它在19世纪初所享有的声望。怀特提倡的那种折衷主义历史可以在克劳斯·诺伊曼的《事实并非如此》(Not The Way it Really Was)一书中找到,这本书本身就反对实证主义历史观。
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