The Changing Meaning of Taylagan Festival for Contemporary Russia Buryat Society: An Adaptation of Tradition

Rania Ayu Shila Febriani Adari, Mina Elfira
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Abstract

Festival is a product of a culture that develops according to the needs and times, including the Taylagan Festival. Taylagan Festival is one of the most important annual rituals for the Russian Buryat Shamans. In the contemporary era, this festival has also been performed for tourists. By using Roland Barthes’s semiotic theory, this research explores the impact of the changes of Taylagan Festival meanings for Russian Buryat contemporary society. At the same time, Eric Hobsbawm’s “The Invention of Tradition" (1992) is used to investigate the inventory of Taylagan Festival traditions, based on qualitative data collected through intensive interviews for selected informants. By using the descriptive analysis method, the research result shows that the change in the sacred values of the Russian Buryat Shamans in the Taylagan Festival has been started since the presence of Neo-shamans as a form of cultural adaptation during the Contemporary Era, which is known to be more modern and active in social and cultural activities.
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当代俄罗斯布里亚特社会泰拉干节意义的变迁:传统的适应
节日是根据需要和时代发展的文化产物,Taylagan节日也是如此。Taylagan节是俄罗斯布里亚特萨满最重要的年度仪式之一。在当代,这个节日也为游客表演。本研究运用巴特的符号学理论,探讨泰拉干节意义的变化对俄罗斯布里亚特当代社会的影响。同时,埃里克·霍布斯鲍姆(Eric Hobsbawm)的《传统的发明》(the Invention of Tradition, 1992)被用于调查泰拉根节日传统的清单,基于对选定的信息者进行密集访谈收集的定性数据。通过描述性分析的方法,研究结果表明,俄罗斯布里亚特萨满在泰拉干节中的神圣价值的变化始于新萨满作为一种文化适应的形式在当代出现之后,在社会文化活动中更为现代和活跃。
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审稿时长
16 weeks
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